It’s now Edinburgh Fringe transfer season in London, but here’s one they made earlier: Cora Bissett’s Fringe First-winning autobiographical play from the 2018 Festival about her time in 1990s indie band Darlingheart. Though the broad shape of this tale is familiar, Bissett’s gig-theatre … Continue reading
Caryl Churchill’s ground-breaking 1982 work comes to the National for the first time – and, also a first, with a full cast rather than actors doubling up, as the playwright had originally intended. It adds to the expansive feel of Lyndsey … Continue reading
“We are only as powerful as the stories we tell.” So proclaims poet and activist Emilia Bassano, as she wrestles back her own story in Morgan Lloyd Malcolm’s 2018 Globe hit – its raw, feminist, revolutionary power just as potent … Continue reading
Britain’s foremost political playwright David Hare returns with a new play examining the current state of the Labour Party. Or not exactly – this is a world with no Brexit, no Corbyn, nothing, in fact, to anchor it to the … Continue reading
The first thing we see is Anna Fleischle’s Fifties-tastic giant doll’s-house set: each period-perfect room bathed in a different twinkling hue, flowers painted onto the brick wall, and jaunty music setting the tone. But Katherine Parkinson’s Judy is able to open the … Continue reading
Leading dancers and choreographers Kate Prince, Kloé Dean and Emma Houston discusses women in hip hop. Read my full Dancing Times article here
Another week, another dispiriting gender equality statistic, as research by The Stage reveals 75% of West End musicals staged in the past decade had no women on their writing teams; removing jukebox shows from the equation, just 9% featured music by female composers. … Continue reading
On my May MoveTo Town and Country Arts page: Pick of the month: Cutting a fine figure Giacometti’s full body of work revealed in a major Tate Modern retrospective Don’t miss: Making waves The British Museum goes beyond Hokusai’s iconic print Commuter corner Paula Hawkins’ Into the Water … Continue reading
One of the big theatre stories of 2016 is women reclaiming Shakespeare, from Gillian Bevan’s Cymbeline and Michelle Terry’s Henry V to Glenda Jackson’s Lear and Phyllida Lloyd’s landmark all-female trilogy starring Harriet Walter. Read my full BroadwayWorld review here
