Tag Archives: broadwayworld

Absolute Hell, National Theatre

The original version of Rodney Ackland’s provocative work, The Pink Room, had a bruising reception back in 1952, losing thousands for investor Terence Rattigan amidst furious reviews. Since salvaged by the Orange Tree in the Eighties, its rebirth was cemented by … Continue reading

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Strictly Ballroom The Musical, Piccadilly Theatre

Love is in the air, and revolution too. Baz Luhrmann’s beloved 1992 film (originally a student play, now back on stage as a musical) is even more adamantly anti-establishment in this latest incarnation, opening out a delicious satire of 1980s Australian … Continue reading

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Chicago, Phoenix Theatre

Chicago‘s hit West End revival ­- which featured a constant revolving door of big names – closed in 2012 after almost 15 years. Now, it returns with the requisite stunt casting (Cuba Gooding Jr), but also with a cast of … Continue reading

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BWW Interview: Emma Williams

The actress discusses her role in the new musical version of An Officer and a Gentleman. Read my full BroadwayWorld interview here

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Tina leads April’s Top 10 new London shows

From a buzzy new musical to returning favourites. Read my full BroadwayWorld article here

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BWW Interview: Bunny Christie and Tony Grech-Smith

The designer and NT Live broadcast director on, respectively, creating Julius Caesar at the Bridge Theatre and translating it to screen. Read my full BroadwayWorld interview here

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BWW Interview: Jonny Labey

The actor discusses his role in the West End production of Strictly Ballroom The Musical. Read my full BroadwayWorld interview here

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BWW Interview: Adrian Lester

The actor discusses his role in Mike Bartlett’s TV drama Trauma. Read my full BroadwayWorld article here

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Crazy for You, New Wimbledon Theatre

The UK tour of Gershwin musical Crazy for You has reached its London leg, and is still in fine, energetic form. Originally a Depression-era work, it joins retro pleasures like 42nd Street in providing much-needed Brexit escapism: a world in which all our problems … Continue reading

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Macbeth, National Theatre

We begin and end with a grisly decapitation. And that’s rather the problem with this intermittently engaging Macbeth, which starts in the throes of some unspecified dystopian hellscape, and thus has nowhere to go. Read my full BroadwayWorld review here

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