Theatre loos: The best and the ones to avoid

BroadwayWorld reviewers share their wisdom on theatre loos, in London and beyond – and we offer some sneaky tips to avoid those queues…

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BWW Interview: Amy Ellen Richardson

The actresses discusses her role in the Adrian Mole musical, now transferring to the West End.

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BWW Interview: Doon Mackichan

The actress discusses David Mamet’s new play Bitter Wheat.

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Watch 8 iconic Bernadette Peters performances

Broadway legend Bernadette Peters – seven-time Tony Award nominee and two-time winner – is coming to the UK as part of her latest concert tour, performing at London’s Lyceum Theatre on June 10. Get psyched by revisiting some of the musical theatre icon’s incredible performances.

Read my full TodayTix article here

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The Starry Messenger, Wyndham’s Theatre

A decade after originating the lead role Off Broadway, Matthew Broderick returns to Kenneth Lonergan’s play to make his West End debut. His devotion to the material is certainly understandable, as the part is tailor-made for his signature brand of self-effacing deadpan – a placid mask covering existential angst.

Read my full BroadwayWorld review here

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Rutherford and Son, National Theatre

Rain gushes down the front of the Lyttelton stage, a pitiless wall of water trapping and framing the Rutherfords – a clan very much defined by their environment. It’s an arresting image to open Polly Findlay’s sure revival of Githa Sowerby’s 1912 drama, inspired by Sowerby’s own family’s dealings in Tyneside glass manufacturing.

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London’s Top 10 family-friendly theatres

Continuing our London Theatre Guides series, we’re celebrating half-term by highlighting some of the capital’s most welcome and exciting venues for younger audiences.

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Europe leads June’s Top 10 new London shows

From a drama about Europe to immersive Shakespeare and open-air opera.

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BWW Interview: Tim Howar

The actor and singer discusses playing the title role in The Phantom of the Opera.

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ANNA, National Theatre

The audience plays surveillance state in this pioneering collaboration between playwright Ella Hickson and sound designers Ben and Max Ringham. We experience the action through individual sets of headphones, corresponding to a hidden mic on our protagonist Anna – listening in to her every exchange and private moment.

Read my full BroadwayWorld review here

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