For her swansong, departing Donmar Artistic Director Josie Rourke goes Swinging Sixties in this stylish but flawed revival of the Cy Coleman, Dorothy Fields and Neil Simon musical. From the numerous Andy Warhol homages to Charity’s silver minidress and the cigarette haze, it’s a period dream, but the production shimmers more than it grips.
Read my full theartsdesk review here
Director Rebecca Frecknall and actress Patsy Ferran recently picked up deserved Olivier Awards for their revelatory revival of Summer and Smoke. Now, they’re back at the Almeida, bringing that fresh approach to well-known Chekhov instead of obscure Tennessee Williams.
There is nothing like a Dame, but the BBC’s Strictly Come Dancing will need a new presence on the judging panel, as Darcey Bussell steps down after seven years to focus on her “other commitments in dance”, per her leaving statement.
Caryl Churchill’s ground-breaking 1982 work comes to the National for the first time – and, also a first, with a full cast rather than actors doubling up, as the playwright had originally intended. It adds to the expansive feel of Lyndsey Turner’s production, particularly effective in the play’s still audacious opening.
Check out these potential award-winners ahead of the weekend’s ceremony.
From Arthur Miller and Caryl Churchill to Don Quixote and zombie gore.
From thought-provoking, female-led drama to family-friendly musicals, here are six of the best Mother’s Day outings.
The actresses discusses her role in Sweet Charity at the Donmar Warehouse.
“We are only as powerful as the stories we tell.” So proclaims poet and activist Emilia Bassano, as she wrestles back her own story in Morgan Lloyd Malcolm’s 2018 Globe hit – its raw, feminist, revolutionary power just as potent in this West End transfer.
Pulitzer-winner Bruce Norris once again challenges audiences with a play built around a difficult topic – in this case, asking whether paedophiles are irredeemable, how they should be punished, the distinction between justice and vengeance, and whether an empathetic response betrays our support of their victims.
