Cash Cow, Hampstead Theatre

“How much does she owe us?” So ponder the now estranged parents of a former tennis pro, as they calculate the very literal investment they’ve put into their daughter. This probing new play from Oli Forsyth – well timed for Queen’s and Wimbledon – examines the consequences of achievement by proxy and a familial relationship that becomes transactional.

Read my full theartsdesk review here

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9 Broadway stars you can see in London

Check out some of these incredible performers from across the pond.

Read my full TodayTix article here

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BWW Interview: Laura Benanti

The Tony-winning actress discusses making her London concert debut.

Read my full BroadwayWorld interview here

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Theatre loos: The best and the ones to avoid

BroadwayWorld reviewers share their wisdom on theatre loos, in London and beyond – and we offer some sneaky tips to avoid those queues…

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BWW Interview: Amy Ellen Richardson

The actresses discusses her role in the Adrian Mole musical, now transferring to the West End.

Read my full BroadwayWorld interview here

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BWW Interview: Doon Mackichan

The actress discusses David Mamet’s new play Bitter Wheat.

Read my full BroadwayWorld interview here

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Watch 8 iconic Bernadette Peters performances

Broadway legend Bernadette Peters – seven-time Tony Award nominee and two-time winner – is coming to the UK as part of her latest concert tour, performing at London’s Lyceum Theatre on June 10. Get psyched by revisiting some of the musical theatre icon’s incredible performances.

Read my full TodayTix article here

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The Starry Messenger, Wyndham’s Theatre

A decade after originating the lead role Off Broadway, Matthew Broderick returns to Kenneth Lonergan’s play to make his West End debut. His devotion to the material is certainly understandable, as the part is tailor-made for his signature brand of self-effacing deadpan – a placid mask covering existential angst.

Read my full BroadwayWorld review here

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Rutherford and Son, National Theatre

Rain gushes down the front of the Lyttelton stage, a pitiless wall of water trapping and framing the Rutherfords – a clan very much defined by their environment. It’s an arresting image to open Polly Findlay’s sure revival of Githa Sowerby’s 1912 drama, inspired by Sowerby’s own family’s dealings in Tyneside glass manufacturing.

Read my full BroadwayWorld review here

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London’s Top 10 family-friendly theatres

Continuing our London Theatre Guides series, we’re celebrating half-term by highlighting some of the capital’s most welcome and exciting venues for younger audiences.

Read my full BroadwayWorld article here

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