Robert Icke, an associate director at the Almeida for the past six years, bids farewell in typically bold and epic fashion with his latest contemporary update. Arthur Schnitzler’s Professor Bernhardi, which premiered in 1912, has been skilfully reconfigured as an interrogation of … Continue reading
The actress and playwright discusses Until The Flood, which addresses the 2014 shooting of African-American teenager Michael Brown in Ferguson, Missouri. Read my full Ham & High/Islington Gazette interview here
The actress discusses her role in the new immersive theatrical dining experience Mamma Mia! The Party at The O2. Read my full BroadwayWorld interview here
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Robert Icke’s latest to Fleabag, Evita and witchy adventures, here are some of this month’s most eye-catching openings. Don’t forget to check back for BroadwayWorld’s reviews, … Continue reading
Ahead of the final live performance of her hit one-woman show Fleabag, find out more about breakout star Phoebe Waller-Bridge. Read my full TodayTix article here
In Tahiti in 1940, a penniless Tennessee Williams lay in a hammock beside another writer also despairing of ever finding success, both binge-drinking rum-cocos and welcoming the dramatic storms that temporarily eclipsed their melancholy. To make matters worse, a party of … Continue reading
Oh Lord! The second Biblical Andrew Lloyd Webber opening of the week (taking his current London production total up to a whopping five from next month) is his early collaboration with Tim Rice, celebrating 50 years since its original concept album, and back … Continue reading
The choreographer discusses her work on Joseph and the Amazing Technicolor Dreamcoat. Read my full BroadwayWorld interview here
Adam Kay, doctor-turned-comedian and bestselling author, brings his irresistible combination of gross-out hospital tales, humorous songs and passionate advocacy back to the West End, delighting an audience of both medical professionals and keen fans. Read my full BroadwayWorld review here
Harry Potter and the Cursed Child‘s creative dream team are reunited for another new venture – although this drama’s family doesn’t come with an in-built, wand-waving fanbase. Instead, this is a personal work from writer Jack Thorne, who based the … Continue reading
