From a buzzy new musical to returning favourites. Read my full BroadwayWorld article here Advertisements
We begin and end with a grisly decapitation. And that’s rather the problem with this intermittently engaging Macbeth, which starts in the throes of some unspecified dystopian hellscape, and thus has nowhere to go. Read my full BroadwayWorld review here
Pulitzer-winning American playwright Annie Baker returns to the National – where The Flick was a quiet triumph in 2016 – with another work that is epic in form (three hours and change), but similarly spellbinding in its ability to draw an audience close. Though … Continue reading
From a major Pinter revival to Wilde, Schiller and some exciting transfers. Read my full BroadwayWorld article here
The puppet who wants to be a real boy is all grown up in this new musical version – very much the darker side of Disney. Book writer Dennis Kelly went back to the original 19th-century Italian tale, by Collodi, and tonally, … Continue reading
In a special edition of our ‘Maybe It’s Because I’m A Londoner’ series, the Mayor of London shares his capital experiences. Read my full Discover Britain magazine interview here
The former Artistic Director of the National Theatre discusses memoir Balancing Acts, and his new Bridge Theatre. Read my full BroadwayWorld interview here
