The first thing we see is Anna Fleischle’s Fifties-tastic giant doll’s-house set: each period-perfect room bathed in a different twinkling hue, flowers painted onto the brick wall, and jaunty music setting the tone. But Katherine Parkinson’s Judy is able to open the … Continue reading
Through one family and one company, Italian playwright Stefano Massini tackles big topics: the development of Western capitalism, the immigrant experience, the American Dream. But this isn’t just any family – it’s the Lehman Brothers, the collapse of whose banking … Continue reading
On my July MoveTo Town and Country Arts page: Exhibition Grayson Perry curates a colourful and inclusive Royal Academy Summer Exhibition Film Girl power in the all-female reboot Ocean’s 8 Theatre Brian Friel’s Translations at the National Theatre is a tender epic Commuter corner Anuradha Roy’s All … Continue reading
From a new theatrical epic to Shakespeare and musical spoof. Read my full BroadwayWorld article here
The director discusses the inaugural National Theatre’s Public Acts project: a 200-strong community production of Shakespeare’s Pericles. Read my full BroadwayWorld interview here
Polly Stenham’s updating of Strindberg’s Miss Julie moves the action to contemporary London, and finds both contempt and sympathy for this new version of the idle rich. But, shorn of its 19th-century context, the play struggles to make the class transgression feel … Continue reading
It begins with deep breathing, in order to access words that hold unimaginable power. And Ian Rickson’s exquisite production of Brian Friel’s masterpiece maintains that space throughout: for words to breathe and simmer, to hang in the air, and for us to … Continue reading
The original version of Rodney Ackland’s provocative work, The Pink Room, had a bruising reception back in 1952, losing thousands for investor Terence Rattigan amidst furious reviews. Since salvaged by the Orange Tree in the Eighties, its rebirth was cemented by … Continue reading
