Semi-final week saw the usual quality drop-off with two dances – although in some cases such technical lack was rebranded as “authenticity” by the ever-erratic judges. We also had the dance and music lottery either boosting or limiting celebs, depending … Continue reading
There’s a welcome alternative to panto hijinks in this gem of a Trevor Nunn musical revival – more attuned to the biting hardships of winter, and to the elegiac aspect of change, than to festive jollies. Which is not to say that there … Continue reading
Musicals Week! The quarter-finals! All to play for on this jazz hands show, and the combination of high-stakes competition and rampant theming produced… mixed results. Some dances fit beautifully with their songs, others were swallowed whole – and the judges … Continue reading
This fascinating tome offers an insider’s history of the National Theatre, via some 800 letters exchanged between Artistic Directors, actors, directors, playwrights, politicians, agents, critics and more. From arcane trivia through to vigorous words on the very nature and purpose … Continue reading
So, we could talk about the post-Blackpool hangover pervading the week (this show very much brought to you by paracetamol and Alka-Seltzer). We could talk about scoring monstrosities, or the continuing bafflement of Couple’s Choice, or how the ghost of … Continue reading
Ah, Blackpool – home of ballroom. Or, in Strictly’s case, home of prop dancers, inflated (in most cases) scores, and alarming combos like fire, feathers and copious amounts of hairspray. At its best, it provides history, spectacle and a thrilling … Continue reading
The road to full musical theatre production has been a long one for Hadestown. It began back in 2006, with Anaïs Mitchell’s song cycle – a folk/jazz take on the Orpheus and Eurydice myth – toured around Vermont in a school bus, then … Continue reading
It might seem a strange statement to make while the BBC is shoving Stacey towards the glitterball, and Joe’s YouTube views have now surpassed the last six series, but one thing I’m enjoying is this year’s unpredictability. Who could have … Continue reading
A few protestors might be doggedly hanging on outside the Kiln (was Tricycle) Theatre, but their complaints are firmly refuted by its current show: a vibrant adaptation of Zadie Smith’s award-winning novel that is not just about but firmly rooted in … Continue reading
