Tag Archives: christian

BWW Interview: Dr Daniel Sokol

The medical ethicist discusses his consultation on Robert Icke’s The Doctor at the Almeida Theatre. Read my full interview here Advertisements

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The Doctor, Almeida Theatre

Robert Icke, an associate director at the Almeida for the past six years, bids farewell in typically bold and epic fashion with his latest contemporary update. Arthur Schnitzler’s Professor Bernhardi, which premiered in 1912, has been skilfully reconfigured as an interrogation of … Continue reading

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Holy Sh!t, Kiln Theatre

It’s all change at the Kiln (was Tricycle) Theatre, with a £5.5 million redevelopment resulting in a bright, light, spacious and welcoming new building – complete with a more obvious street presence, comfortable café/bar area, plentiful ladies’ loos, and a … Continue reading

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Hand to God, Vaudeville Theatre

There will be blood. And expletives. And puppet sex that makes Avenue Q look positively monastic. But perhaps most shocking of all is that beneath the eye-wateringly explicit surface of Robert Askins’ provocative farce, which began life Off-Off-Broadway in 2011, lies … Continue reading

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Rabbit Hole, Hampstead Theatre

The death of a child is an unnatural loss. There’s no reassurance that the departed lived a full life, rather the jagged edge of one cut short. In the case of Becca and Howie, it’s also nonsensical: their perfectly healthy … Continue reading

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A Wolf in Snakeskin Shoes, Tricycle Theatre

Molière’s 1664 comedy Tartuffe transplanted to present-day Atlanta, Georgia: it sounds like an inspired idea. The hypocritical religious devotee becomes a charlatan preacher fleecing his flock, offering salvation in exchange for hard cash and a distinctly unpriestly grope. But Marcus … Continue reading

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Martyr, Unicorn Theatre

Following a dangerously selective reading of a religious text, 15-year-old Benjamin has adopted a fundamentalist doctrine that espouses misogynist, homophobic and puritanical views and, at its extreme, violence. Neither his mum nor his teachers know how to handle him. The … Continue reading

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Luna Gale, Hampstead Theatre

Can we really distinguish between experience-based judgement and personal bias? Caroline, the social worker at the centre of American writer Rebecca Gilman’s latest “issue” play, trusts a gut instinct informed by her 25-year career, but those decisions – which shape … Continue reading

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Next Fall

Britain has entered a “post-Christian” era, declared former Archbishop of Canterbury Rowan Williams earlier this year: we acknowledge its cultural presence, but Christianity is no longer an habitual practice for the majority of the population. If that’s accurate, viewers of … Continue reading

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