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Tag Archives: Mike Bartlett
The Antipodes leads October’s Top 10 new London shows
From Annie Baker to Ealing comedy and a royal reunion. Read my full BroadwayWorld article here
Posted in Journalism, Theatre
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Tagged a day in the death of joe egg, almeida theatre, annie baker, arthur darvill, best, blank, book tickets, boulevard theatre, broadwayworld, charlie fink, claire foy, claire skinner, clean break, comedy, conleth hill, dave malloy, death of a salesman, doctor who, donmar warehouse, drama, ealing comedy, farce, garrick theatre, ghost quartet, groan ups, kara tointon, london, lungs, matt smith, meera syal, michael frayn, Mike Bartlett, mischief theatre, musical, national theatre, noises off, october, old vic, piccadilly theatre, play, samantha bond, sarah hadland, sharon d clark, stephen mangan, the antipodes, the crown, the man in the white suit, theatre, toby stephens, top 10, trafalgar studios, vassa, vaudeville theatre, visit london, wendell pierce, west end, wyndhams theatre
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BWW Interview: Adrian Lester
The actor discusses his role in Mike Bartlett’s TV drama Trauma. Read my full BroadwayWorld article here
Posted in Film, Journalism, Theatre, TV
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Tagged actor, adrian lester, britbox, broadwayworld, child, class, death, doctor, drama, film, interview, itv, john simm, josie rourke, justice, mary queen of scots, medical, Mike Bartlett, money, nhs, old vic, one voice, parent, surgeon, thriller, trauma, tv, vengeance
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BWW Interview: Paula Garfield
The artistic director of Deafinitely Theatre discusses Deaf audiences and artists, new production Contractions, and 15 years of the company. Read my full BroadwayWorld interview here
Posted in Journalism, Theatre
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Tagged access, actor, actress, audience, broadwayworld, bsl, caption glasses, captions, contractions, cuts, deaf, deafinitely theatre, director, disabled, funding, globe, hard of hearing, interpreter, interview, Mike Bartlett, national theatre, open access smart capture, paula garfield, theatre, training
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Albion, Almeida Theatre
The urge to present state-of-the-nation plays following the Brexit vote is understandable, even vital, but has produced decidedly mixed results. Thankfully, Mike Bartlett’s empathetic Chekhovian response is a real winner: rich in loamy metaphor, yes, but also a gripping family drama … Continue reading →
Posted in Journalism, Theatre
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Tagged albion, almeida theatre, brexit, britain, broadwayworld, charlotte hope, chekhov, child, doctor foster, drama, england, family, helen schlesinger, london, Mike Bartlett, mother, parent, play, review, romance, rupert goold, state of the nation, theare, victoria hamilton, visit london
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Labour of Love leads October’s Top 10 new London shows
From James Graham’s political drama to immersive Agatha Christie and the unveiling of a new venue. Read my full BroadwayWorld article here
Posted in Journalism, Theatre
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Tagged a woman of no importance, agatha christie, albion, almeida theatre, anne reid, anne-marie duff, book tickets, bridge theatre, broadwayworld, cheap tickets, chekhov, comedy, david oakes, deal, discount, doctor foster, drama, eve best, garrick theatre, hadley fraser, heisenberg, james graham, jeremy corbyn, john heffernan, kenneth cranham, labour, labour of love, labour party, lesley sharp, london county hall, lyric hammersmith, martin freeman, Mike Bartlett, musical, natalie dormer, national theatre, nicholas hytner, noel coward theatre, oscar wilde, play, political, politics, richard bean, rory kinnear, ross noble, saint george and the dragon, sale, save, simon stephens, tamsin greig, the seagull, theatre, theatre royal haymarket, ticket deal, vaudeville theatre, venus in fur, visit london, west end, witness for the proseuction, wyndhams theatre, young frankenstein, young marx
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Wild, Hampstead Theatre
Who do you trust? The EU Referendum campaign has exposed a mounting suspicion of the establishment, from financial institutions to press and politicians, and our sense of nationhood has never been murkier. But if we cease to believe in anything, … Continue reading →
Posted in Journalism, Theatre
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Tagged america, drama, edward snowden, government, hampstead theatre, james macdonald, julian assange, leak, Mike Bartlett, miriam buether, play, privacy, referendum, review, russia, security, spy, stage, surveillance, technology, the arts desk, theartsdesk, theatre, trust, whistleblower, wikileaks, wild
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Ralph Fiennes’s Richard III Leads June’s Top 10 New London Shows
From starry Shakespeare and Rattigan productions to big musicals and resonant new plays. Read my full BroadwayWorld article here
Posted in Journalism, Theatre
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Tagged aladdin, alexi kaye campbell, alfie allen, almeida, apollo theatre, best, book tickets, broadwayworld, disney, downton abbey, drama, edward snowden, elizabeth mcgovern, film, game of thrones, globe, greece, hampstead theatre, helen mccrory, henry v, hobsons choice, hollywood, iqbal khan, jesse eisenberg, june, london, macbeth, martin shaw, michael crawford, Mike Bartlett, movie, musical, national theatre, new, open air theatre, play, prince edward theatre, ralph fiennes, regents park, richard iii, rupert goold, shakespeare, star, sunset at the villa thalia, the deep blue sea, the go between, the spoils, theatre, top 10, trafalgar studios, vaudeville theatre, west end, wild
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Olivier Awards 2015: Young Vic triumph heralds the era of the giant-killer
The Young Vic’s victory parade came as no surprise after a bumper year, but, in an impressive night for studio and publicly funded theatre, the egalitarian 2015 Oliviers also showered affection upon the Hampstead, Donmar, RSC, Chichester, Royal Court and … Continue reading →
Posted in Dance, Theatre, TV
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Tagged a view from the bridge, akram khan, angela lansbury, award, ballet, bull, cats, city of angels, comedy, dance, dancing, david lan, donmar warehouse, drama, english national opera, eno, itv, ivo van hove, josie rourke, judi dench, Kevin Spacey, king charles iii, london, mark strong, Mike Bartlett, miss saigon, musical, national, old vic, olivier awards, oliviers, opera, penelope wilton, play, prize, rsc, sonia friedman, sunny afternoon, sylvia guillem, the kinks, the nether, the play that goes wrong, theatre, tv, wicked, win, winner, wolf hall, young vic
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Northern lights
It’s official: the north is the place to be. Under the exemplary artistic directorship of Edward Hall, London’s Hampstead Theatre is packing in the audiences while enjoying what could best be described as a dream run. Sold-out shows and West … Continue reading →
Posted in Journalism, Theatre
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Tagged Amelia Bullmore, Anna Chancellor, Chariots of Fire, David Hare, drama, edward hall, hampstead, hello/goodbye, Howard Brenton, london, Mark Gatiss, Mike Bartlett, Nicholas Wright, nina raine, north, play, Rupert Everett, Sheila Hancock, tamsin grieg, The Judas Kiss, theatre
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