The actor discusses his role in Mike Bartlett’s TV drama Trauma. Read my full BroadwayWorld article here Advertisements
The artistic director of Deafinitely Theatre discusses Deaf audiences and artists, new production Contractions, and 15 years of the company. Read my full BroadwayWorld interview here
The urge to present state-of-the-nation plays following the Brexit vote is understandable, even vital, but has produced decidedly mixed results. Thankfully, Mike Bartlett’s empathetic Chekhovian response is a real winner: rich in loamy metaphor, yes, but also a gripping family drama … Continue reading →
From James Graham’s political drama to immersive Agatha Christie and the unveiling of a new venue. Read my full BroadwayWorld article here
Who do you trust? The EU Referendum campaign has exposed a mounting suspicion of the establishment, from financial institutions to press and politicians, and our sense of nationhood has never been murkier. But if we cease to believe in anything, … Continue reading →
From starry Shakespeare and Rattigan productions to big musicals and resonant new plays. Read my full BroadwayWorld article here
The Young Vic’s victory parade came as no surprise after a bumper year, but, in an impressive night for studio and publicly funded theatre, the egalitarian 2015 Oliviers also showered affection upon the Hampstead, Donmar, RSC, Chichester, Royal Court and … Continue reading →
It’s official: the north is the place to be. Under the exemplary artistic directorship of Edward Hall, London’s Hampstead Theatre is packing in the audiences while enjoying what could best be described as a dream run. Sold-out shows and West … Continue reading →
