Laura Wade isn’t the first to tackle Jane Austen’s unfinished novel, abandoned in 1805, but she is the only one so far to write herself, the struggling adaptor, into the text. This witty, ingenious and surprisingly philosophical play, which premiered … Continue reading
Can any fictional political tale top the latest dramatic entry in the Brexit Chronicles? Actor Simon Woods has a good crack at it with his debut play, featuring the powerhouse pairing of Alex Jennings and Lindsay Duncan and sure directorial … Continue reading
Robert James Waller’s bestselling, though critically panned, 1992 romance novel was reincarnated in the Clint Eastwood and Meryl Streep-starring film, and then again in Jason Robert Brown and Marsha Norman’s Tony-winning 2013 musical – both adaptations wisely sloughing off some of the … Continue reading
The actresses discusses her role in the Adrian Mole musical, now transferring to the West End. Read my full BroadwayWorld interview here
A decade after originating the lead role Off Broadway, Matthew Broderick returns to Kenneth Lonergan’s play to make his West End debut. His devotion to the material is certainly understandable, as the part is tailor-made for his signature brand of self-effacing deadpan – … Continue reading
The grand finale to Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is famous for … Continue reading
Hampstead hosts the UK premiere of Polish-American playwright Martyna Majok’s 2018 Pulitzer Prize-winning work, which explores – with thoughtful tenderness and a refreshing lack of schmaltz – the relationships between two people with disabilities and their carers. Read my full BroadwayWorld review … Continue reading
There’s a welcome alternative to panto hijinks in this gem of a Trevor Nunn musical revival – more attuned to the biting hardships of winter, and to the elegiac aspect of change, than to festive jollies. Which is not to say that there … Continue reading
The most thrilling revivals reinvigorate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical company Company makes a bold, inventive statement, but somehow also suggests this is how the … Continue reading
