Tag Archives: ticket deal

An Ideal Husband, Vaudeville Theatre

Classic Spring’s third Oscar Wilde production gains extra piquancy from Amber Rudd’s resignation – dealing, as it does, with political scandal and social hypocrisy. It’s another facet for Jonathan Church’s well-balanced revival, which proves as handsome, witty and ultimately kindly … Continue reading

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Chess, London Coliseum

Chess, by Tim Rice and ABBA’s Benny Andersson and Björn Ulvaeus, hasn’t had a major West End revival since its Eighties heyday, but it’s back with a bang in a semi-staged production that features aerial silk acrobatics, cheerleading stunts and drunken Cossack dancing. But … Continue reading

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Red leads May’s Top 10 new London shows

From meaty revivals to the open-air theatres opening their doors. Read my full BroadwayWorld article here

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Chicago, Phoenix Theatre

Chicago‘s hit West End revival ­- which featured a constant revolving door of big names – closed in 2012 after almost 15 years. Now, it returns with the requisite stunt casting (Cuba Gooding Jr), but also with a cast of … Continue reading

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Tina leads April’s Top 10 new London shows

From a buzzy new musical to returning favourites. Read my full BroadwayWorld article here

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BWW Interview: Jonny Labey

The actor discusses his role in the West End production of Strictly Ballroom The Musical. Read my full BroadwayWorld interview here

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Macbeth leads March’s Top 10 new London shows

From Shakespeare and Tennessee Williams to a new epic and a lush romance. Read my full BroadwayWorld article here

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Long Day’s Journey Into Night leads February’s Top 10 new London shows

From O’Neill and flamenco to punk and Pippin. Read my full BroadwayWorld article here

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Mary Stuart, Duke of York’s Theatre

“Heads.” One word, and one coin toss, decides which roles Juliet Stevenson and Lia Williams will play on the night: Mary Queen of Scots, or her rival Elizabeth I. Last night Williams took the latter – the company immediately bowing … Continue reading

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The Birthday Party, Harold Pinter Theatre

It’s 60 years since Harold Pinter’s play premiered – and flopped – at Lyric Hammersmith, baffling critics (with one exception) and audiences alike. Now, we expect the sinister subversion of both the seemingly mundane setting and the dramatic form that … Continue reading

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