Tag Archives: ticket deal

BWW Interview: Emma Fielding

The actress discusses Dominic Dromgoole’s production of Oscar Wilde’s A Woman of No Importance at Vaudeville Theatre. Read my full BroadwayWorld interview here Advertisements

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BWW Interview: Susan Stroman

The director and choreographer discusses bringing musical Young Frankenstein to London. Read my full BroadwayWorld interview here

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Jane Eyre, National Theatre

Three years after its Bristol Old Vic debut, Sally Cookson’s fervently theatrical reimagining of Charlotte Brontë’s novel returns to the National Theatre as part of a UK tour – with a new cast, but with its collective spirit intact. Read my … Continue reading

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Labour of Love leads October’s Top 10 new London shows

From James Graham’s political drama to immersive Agatha Christie and the unveiling of a new venue. Read my full BroadwayWorld article here

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Follies leads September’s Top 10 new London shows

From starry Sondheim to political plays and the return of Florian Zeller. Read my full BroadwayWorld article here

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BWW Interview: Stars of The Band

AJ Bentley, Nick Carsberg, Yazdan Qafouri Isfahani, Curtis T Johns and Sario Watanabe-Soloman, who won TV talent show Let It Shine, discuss new Take That musical The Band. Read my full BroadwayWorld interview here

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Apologia, Trafalgar Studios

Back in 2009, Alexi Kaye Campbell followed up his bold first play The Pride with Apologia, which takes the well-trodden path of a fraught family reunion where past grievances stalk the present. If more conventional, it’s still an enjoyable combination of big ideas, sharp … Continue reading

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Apologia leads August’s Top 10 new London shows

From a starry drama to musical revivals and family-friendly fun. Read my full BroadwayWorld article here

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BWW Interview: Freema Agyeman

The actress talks Doctor Who, Sense8 and making her West End debut in Apologia. Read my full BroadwayWorld interview here

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Cat On A Hot Tin Roof leads July’s Top 10 new London shows

From Tennessee Williams and Bob Dylan to royal politics and Adrian Mole. Read my full BroadwayWorld article here

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