“We are only as powerful as the stories we tell.” So proclaims poet and activist Emilia Bassano, as she wrestles back her own story in Morgan Lloyd Malcolm’s 2018 Globe hit – its raw, feminist, revolutionary power just as potent … Continue reading
“It just seems to be a thing that we do, this incomprehensible violence thing.” So says the narrator of Dennis Kelly’s new one-woman play, performed in a staggering tour-de-force from Carey Mulligan. She’s been reflecting on an American mass shooting … Continue reading
Leading dancers and choreographers Kate Prince, Kloé Dean and Emma Houston discusses women in hip hop. Read my full Dancing Times article here
The actress talks Doctor Who, Sense8 and making her West End debut in Apologia. Read my full BroadwayWorld interview here
Neat freaks beware: Touch is your ultimate nightmare. This latest offering from DryWrite, the company that launched the now stratospheric Fleabag, centres on another woman with a chaotic personal life – this time, mirrored by the symphony of filth that is her cramped … Continue reading
Another week, another dispiriting gender equality statistic, as research by The Stage reveals 75% of West End musicals staged in the past decade had no women on their writing teams; removing jukebox shows from the equation, just 9% featured music by female composers. … Continue reading
“Comedy, love and a bit with a dog,” counselled Henslowe in Stoppard’s Shakespeare in Love, and his populist advice is taken to heart in this broad, bawdy, big-hearted farce untroubled by nuanced characterisation or context. Jessica Swale’s modern-language Restoration romp ensures a … Continue reading
The “femmepersonators” of Harvey Fierstein’s 1962-set drama would be flabbergasted by today’s level of trans visibility, from Grayson Perry and Caitlyn Jenner to Transparent and Eddie Redmayne’s new film The Danish Girl. Yet it’s the still pertinent issue of private … Continue reading
