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Britain’s foremost political playwright David Hare returns with a new play examining the current state of the Labour Party. Or not exactly – this is a world with no Brexit, no Corbyn, nothing, in fact, to anchor it to the … Continue reading
From gender-flipped Sondheim to David Hare and Martin McDonagh. Read my full BroadwayWorld article here
Fifty years on, Tom Stoppard’s absurdist tragicomedy is back in the theatre where it had its professional premiere, and still just as dazzlingly virtuosic. If some of its gags, musings and metatheatrical tricks have since become overfamiliar through imitation, that’s … Continue reading