Rain gushes down the front of the Lyttelton stage, a pitiless wall of water trapping and framing the Rutherfords – a clan very much defined by their environment. It’s an arresting image to open Polly Findlay’s sure revival of Githa … Continue reading
“We are only as powerful as the stories we tell.” So proclaims poet and activist Emilia Bassano, as she wrestles back her own story in Morgan Lloyd Malcolm’s 2018 Globe hit – its raw, feminist, revolutionary power just as potent … Continue reading
The current West End queens discuss the hit musical – and who is most like their alter ego… Read my full BroadwayWorld interview here
The first thing we see is Anna Fleischle’s Fifties-tastic giant doll’s-house set: each period-perfect room bathed in a different twinkling hue, flowers painted onto the brick wall, and jaunty music setting the tone. But Katherine Parkinson’s Judy is able to open the … Continue reading
On my June MoveTo Town and Country Arts page: Exhibition The British Museum explores Rodin’s relationship with Ancient Greek sculpture Film An unflinching look at motherhood in Tully Theatre Oscar Wilde’s An Ideal Husband – with double the Foxy charm Commuter corner Michelle Dean’s Sharp: The Women Who Made … Continue reading
Back in 2009, Alexi Kaye Campbell followed up his bold first play The Pride with Apologia, which takes the well-trodden path of a fraught family reunion where past grievances stalk the present. If more conventional, it’s still an enjoyable combination of big ideas, sharp … Continue reading
The actress talks Doctor Who, Sense8 and making her West End debut in Apologia. Read my full BroadwayWorld interview here
Neat freaks beware: Touch is your ultimate nightmare. This latest offering from DryWrite, the company that launched the now stratospheric Fleabag, centres on another woman with a chaotic personal life – this time, mirrored by the symphony of filth that is her cramped … Continue reading
