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Tag Archives: lyric hammersmith
Rosencrantz and Guildenstern Are Dead leads March’s Top 10 new London shows
From starry Stoppard and Marber revivals to toe-tapping musicals and Elena Ferrante on stage. Read my full BroadwayWorld article here
Posted in Journalism, Theatre
Tagged amanda holden, an american in paris, arts theatre, ballet, book tickets, brexit, broadwayworld, dance, dancing, daniel radcliffe, david tennant, dominion theatre, don juan in soho, elena ferrante, garrick theatre, ian hislop, kate fleetwood, lee mead, london, lyric hammersmith, march, my brilliant friend, my country, national theare, old vic, rose theatre kingston, Rosencrantz and Guildenstern Are Dead, seventeen, stepping out, tap, the miser, the wipers times, theatre, tom stoppard, top 10, ugly lies the bone, vaudeville theatre, west end, wyndhams theatre
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The Glass Menagerie leads January’s Top 10 new London shows
From a visionary Tennessee Williams revival to Wayne McGregor and a Dahl musical adaptation. Read my full BroadwayWorld article here
Posted in Dance, Journalism, Theatre
Tagged adelphi theatre, best, billy wilder, book tickets, broadwayworld, burt bacharach, caryl churchill, cherry jones, duke of york's, escaped alone, fantastic mr fox, hampstead theatre, january, john tiffany, london, lyric hammersmith, making a murderer, musical, national theatre, neil simon, new, orange tree theatre, promises promises, roald dahl, royal court, royal opera house, sex with strangers, southwark playhouse, tennesse williams, the apartment, the glass menagerie, the kite runner, top 10, us/them, virginia woolf, wayne mcgregor, west end, winter solstice, woolf works, wyndhams theatre
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BWW Interview: Sean Holmes
The Artistic Director of the Lyric Hammersmith talks reviving Mark Ravenhill’s Shopping and F***ing. Read my full BroadwayWorld interview here
Things I Know To Be True, Lyric Hammersmith
Growing up is a kind of grief: losing the person you once were to embrace the person you will become. That loss can fracture familial relationships, forced to adjust and reform as offspring alter, challenge, question and move away – … Continue reading
Posted in Journalism, Theatre
Tagged andrew bovell, australia, child, drama, family, frantic assembly, london, lyric hammersmith, parent, play, review, state theatre company, theatre, things i know to be true
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LET THERE BE LIGHT: Paule Constable
The latest instalment in our series showcasing Britain’s best lighting designers focuses on the four-time Olivier and two-time Tony Award winner Paule Constable. She’s worked on numerous landmark theatrical productions, including The Curious Incident of the Dog in the Night-Time, … Continue reading
Posted in Journalism, Theatre
Tagged broadwayworld, dance, herons, interview, let there be light, lighting designer, love never dies, lyric hammersmith, national theatre, olivier award, opera, paule constable, the curious incident of the dog in the night-time, theatre, tony award, tour, war horse, wolf hall
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BWW Interview: Scott Graham and Geordie Brookman
Andrew Bovell’s Things I Know To Be True, a Frantic Assembly and State Theatre Company of South Australia co-production, opened earlier this year in Adelaide and is now playing at London’s Lyric Hammersmith, led by Imogen Stubbs. Scott Graham, co-founder … Continue reading
Bugsy Malone, Lyric Hammersmith
For those in sore need of a theatrical pick-me-up, jazz square your way over to Bugsy Malone. Last year’s smash-hit opener of the redeveloped Lyric has been given a well-deserved encore, with Sean Holmes’s production once again nailing the beguiling … Continue reading
Posted in Dance, Journalism, Theatre
Tagged alan parker, america, bugsy malone, children, dancing, drama, drew mconie, family, gangster, kids, london, lyric hammersmith, musical, prohibition era, review, sean holmes, songs, stage, the arts desk, theartsdesk, theatre
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