Tag Archives: almeida theatre

Three Sisters, Almeida Theatre

Director Rebecca Frecknall and actress Patsy Ferran recently picked up deserved Olivier Awards for their revelatory revival of Summer and Smoke. Now, they’re back at the Almeida, bringing that fresh approach to well-known Chekhov instead of obscure Tennessee Williams. Read … Continue reading

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All My Sons leads April’s Top 10 new London shows

From Arthur Miller and Caryl Churchill to Don Quixote and zombie gore. Read my full BroadwayWorld article here

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Shipwreck, Almeida Theatre

“Isn’t that the problem with political theater, too much directness?” queries one of Anne Washburn’s characters in her new play – which, in meta fashion, and over a leisurely three hours, not only addresses Trump head on, but also painstakingly … Continue reading

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BWW Interview: Justine Mitchell

The actress discusses Anne Washburn’s new Trump-era play Shipwreck at the Almeida. Read my full BroadwayWorld interview here

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Come From Away leads February’s Top 10 new London shows

From a hit Canadian musical to showbiz satire and a classic sitcom reborn. Read my full BroadwayWorld article here

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Company leads October’s Top 10 new London shows

From gender-flipped Sondheim to David Hare and Martin McDonagh. Read my full BroadwayWorld article here

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Dance Nation, Almeida Theatre

Wild, raw, hilarious and tender, Clare Barron’s electrifying play – first seen in New York earlier this year – is a candid portrait of prepubescent girls, rare compared with the myriad male coming-of-age tales. But, like its warrior women, Barron’s … Continue reading

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Sylvia leads September’s Top 10 new London shows

From a new hip-hop history lesson to Pinter and Shakespeare. Read my full BroadwayWorld article here

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Interview: Clare Barron talks Dance Nation

The playwright discusses the UK premiere of her latest work at the Almeida Theatre. Read my full Islington Gazette interview here

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Hamilton leads December’s Top 10 new London shows

From a feverishly anticipated musical to sci-fi and Shakespeare. Read my full BroadwayWorld article here

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