Love is in the air, and revolution too. Baz Luhrmann’s beloved 1992 film (originally a student play, now back on stage as a musical) is even more adamantly anti-establishment in this latest incarnation, opening out a delicious satire of 1980s Australian competitive ballroom into a more universal story of the fight for fearless self-expression. In short: “Love, freedom and sequins”.
- @mrdavidjays You too! ❤️ https://t.co/CPH3OfgLya 17 hours ago
- Arguably one of the more accurate portraits of showbiz - all its highs and lows, passion and precariousness, genius… twitter.com/i/web/status/1… 18 hours ago
- Phew! Such a layered, provocative film - constantly confronting you #LockdownTheatreClub #AllThatJazz 18 hours ago