Love is in the air, and revolution too. Baz Luhrmann’s beloved 1992 film (originally a student play, now back on stage as a musical) is even more adamantly anti-establishment in this latest incarnation, opening out a delicious satire of 1980s Australian competitive ballroom into a more universal story of the fight for fearless self-expression. In short: “Love, freedom and sequins”.
-
Recent Posts
Tags
Archives
Follow me on Twitter
- ★★★★ 'This social outcast will steal your heart': @DEHWestEnd reviewed theartsdesk.com/theatre/dear-e… #DEHLondon… twitter.com/i/web/status/1… 4 hours ago
- RT @jason_kint: This chart shows Facebook's active fake account population is larger than the entire United States and would be the third l… 16 hours ago
- @mrdavidjays Is this how The Secret works? I'd always wondered... 1 day ago
Links
