London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Robert Icke’s latest to Fleabag, Evita and witchy adventures, here are some of this month’s most eye-catching openings. Don’t forget to check back for BroadwayWorld’s reviews, … Continue reading
A decade after originating the lead role Off Broadway, Matthew Broderick returns to Kenneth Lonergan’s play to make his West End debut. His devotion to the material is certainly understandable, as the part is tailor-made for his signature brand of self-effacing deadpan – … Continue reading
From timely plays to the beginning of open-air theatre season. Read my full BroadwayWorld article here
From a hit Canadian musical to showbiz satire and a classic sitcom reborn. Read my full BroadwayWorld article here
On my November MoveTo Town and Country Arts page: Exhibition Brothers-in-law Mantegna and Bellini offer competing Renaissance visions at the National Gallery Film Lady Gaga impresses in the latest incarnation of A Star is Born Theatre Eileen Atkins and Jonathan Pryce lead Florian Zeller’s The Height … Continue reading
French playwright Florian Zeller returns, with another compelling puzzle box of a play – the only thing definite about it being the trademark definite article in the title. But anchoring the human side of this elliptical work is a pair of commanding … Continue reading
From gender-flipped Sondheim to David Hare and Martin McDonagh. Read my full BroadwayWorld article here
The band’s back together. Alfred Molina plays Rothko for the third time in Michael Grandage’s revisiting of John Logan’s richly textured two-hander, first seen at the Donmar in 2009 and then bypassing the West End for Broadway. Another excellent Alfred – Alfred Enoch, of … Continue reading
Though a long journey indeed, Richard Eyre’s is a vital revival, giving vigour to Eugene O’Neill’s mighty, semi-autobiographical work and making all the more poignant this tormented but fast-talking family’s gradual dwindling into a despairing silence. Read my full BroadwayWorld review here
