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Tag Archives: tricycle theatre
Holy Sh!t, Kiln Theatre
It’s all change at the Kiln (was Tricycle) Theatre, with a £5.5 million redevelopment resulting in a bright, light, spacious and welcoming new building – complete with a more obvious street presence, comfortable café/bar area, plentiful ladies’ loos, and a … Continue reading
Posted in Journalism, Theatre
Tagged alexis zegerman, book tickets, broadwayworld, child, christian, faith, holy shit, Indhu Rubasingham, jewish, kilburn, kiln theatre, london, parent, play, religion, review, school, teacher, theatre, tricycle theatre
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Opinion: Post-Brexit, we need theatre more than ever
In seeking to understand the historic, divisive and to some bewildering Brexit vote, I will turn to theatre. Through my regular exposure to it, I can number among my ever-widening acquaintance a young king, a whistleblower, a minimum-wage movie usher, … Continue reading
The Man in the Woman’s Shoes, Tricycle Theatre
Where else can you find a spot-on impression of a dog who thinks she’s a cockerel? That’s just one member of the menagerie conjured by the extraordinary Mikel Murfi, who also summons chickens, bees, seagulls, pigs, sheep and a dying … Continue reading
Posted in Journalism, Theatre
Tagged church, drama, ham and high, ireland, irish, london, love, Mikel Murfi, play, review, rural, seventies, sligo, the man in the womans shoes, theatre, tricycle theatre
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Red Velvet, Garrick Theatre
Lolita Chakrabarti’s impassioned debut has only gained topicality since its 2012 Tricycle incarnation. Trevor Nunn’s all-white Wars of the Roses and #OscarsSoWhite, among others, have fanned its flames, while quips about a paranoid Russian regime and the limits of English … Continue reading
Posted in Journalism, Theatre
Tagged abolition, actor, adrian lester, backstage, black, cameron, drama, european referendum, garrick theatre, history, ira aldridge, kenneth branagh, london, oscars, oscarssowhite, othello, period drama, play, prejudice, race, racism, red velvet, review, slavery, theatre, theatre royal, tricycle theatre, trump, west end
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The Mother, Tricycle Theatre
Anne longs for 23-year-old son Nicholas to return home. One night, he appears. Or does he? Welcome back to the queasily elliptical world of Florian Zeller, where certainty fractures as familiar elements are repeated, dissected, made strange and menacing. Zeller … Continue reading
Posted in Journalism, Theatre
Tagged bipolar, child, christopher hampton, depression, drama, empty nest, father, florian zeller, gina mckee, london, mental illness, mother, mum, parent, pinter, play, review, son, the arts desk, the father, the mother, theartsdesk, theatre, theatre royal bath, tricycle theatre
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Unsubtle Tartuffe update misses target
Last year, American poet/playwright Marcus Gardley scored a hit at the Tricycle by transporting Lorca to 19th-century New Orleans, and his loose adaptation of Molière’s 1664 Tartuffe seemed equally promising – the hypocritical religious devotee becoming a Deep South charlatan preacher. … Continue reading
Posted in Journalism, Theatre
Tagged a wolf in snakeskin shoes, comedy, deep south, drama, farce, gospel, ham and high, Indhu Rubasingham, london, marcus gardley, moliere, play, preacher, religion, review, sharon d clarke, sing, singing, tartuffe, theatre, tricycle theatre
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A Wolf in Snakeskin Shoes, Tricycle Theatre
Molière’s 1664 comedy Tartuffe transplanted to present-day Atlanta, Georgia: it sounds like an inspired idea. The hypocritical religious devotee becomes a charlatan preacher fleecing his flock, offering salvation in exchange for hard cash and a distinctly unpriestly grope. But Marcus … Continue reading
Posted in Journalism, Theatre
Tagged a wolf in snakeskin shoes, america, atlanta, bible, christian, church, comedy, deep south, drama, empire, faith, faith healer, family, farce, gay, georgia, god, gospel, homosexual, marcus gardley, moliere, music, noises off, play, poetry, preacher, religion, review, sex, singing, tartuffe, the arts desk, theartsdesk, theatre, tricycle theatre, verse
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Savagely powerful play takes us inside dementia
At its best, theatre doesn’t just communicate ideas or invite distanced empathy. It completely immerses us in the experience of another human being. Florian Zeller won France’s top drama prize, the Molière Award, for 2014 play The Father, and Christopher … Continue reading
Posted in Journalism, Theatre
Tagged alzheimers, care, carer, christopher hampton, claire skinner, daughter, dementia, drama, family, father, florian zeller, france, french, ham and high, hampstead, highgate, kenneth cranham, king lear, london, paris, pinter, play, review, the father, theatre, tricycle theatre
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The Father, Tricycle Theatre
André is losing time. It’s not just his perennially mislaid watch, but whole hours, weeks, years. Is he still living in his Paris flat, or did he move in with his daughter Anne? Is she married, divorced, leaving the country … Continue reading
Posted in Journalism, Theatre
Tagged alzheimers, award, bath, care, carer, child, christopher hampton, claire skinner, dad, daughter, dementia, drama, father, five star, flat, florian zeller, france, grief, ill, kenneth cranham, king lear, lear, london, loss, memory, moliere, nurse, paris, pinter, play, review, sick, the arts desk, the father, theartsdesk, theatre, tricycle theatre
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