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Theatre has a long memory. Stephen Sondheim and James Goldman’s 1971 musical has been through myriad incarnations, donning and shedding numbers, an interval, an ill-conceived upbeat ending, and yet the original vision has lingered. The show now comes to extraordinary life in a … Continue reading
War bad, theatre good. That’s about the level of insight available from this amiable show, transferring after a successful run in Bath. It’s one of the weaker entries in the ever-popular backstage genre, sharing Vaudevillian DNA with Gypsy and a … Continue reading