Tag Archives: tom stoppard

BWW Interview: Emma Fielding

The actress discusses Dominic Dromgoole’s production of Oscar Wilde’s A Woman of No Importance at Vaudeville Theatre. Read my full BroadwayWorld interview here Advertisements

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Rosencrantz and Guildenstern Are Dead, Old Vic

Fifty years on, Tom Stoppard’s absurdist tragicomedy is back in the theatre where it had its professional premiere, and still just as dazzlingly virtuosic. If some of its gags, musings and metatheatrical tricks have since become overfamiliar through imitation, that’s … Continue reading

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Rosencrantz and Guildenstern Are Dead leads March’s Top 10 new London shows

From starry Stoppard and Marber revivals to toe-tapping musicals and Elena Ferrante on stage. Read my full BroadwayWorld article here

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Travesties, Apollo Theatre

After a hit run at the Menier Chocolate Factory, Patrick Marber’s storming revival of Tom Stoppard’s 1974 play gets a welcome West End encore. The triumph of this production is the way it honours Stoppard’s dazzling intellect while also going … Continue reading

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BWW Interview: Amy Morgan

The actress discusses her role in Tom Stoppard’s Travesties. Read my full BroadwayWorld interview here

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10 questions on Chekhov for playwright Simon Stephens

Fresh from global domination with The Curious Incident of the Dog in the Night-time, currently garnering rapturous reviews on Broadway, inexhaustible playwright and adaptor Simon Stephens has swapped Mark Haddon for Anton Chekhov and a new version of The Cherry Orchard, … Continue reading

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The Bard reborn

Shall I compare thee to the Oscar-winning movie? It’s an inescapable association, but one this new stage version embraces wholeheartedly, with faithful re-creations of beloved scenes and the majority of Marc Norman and Tom Stoppard’s ingenious screenplay retained. Yet unlike … Continue reading

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And now for something completely brilliant

Terry Gilliam directs operas. Terry Jones writes children’s books. And Michael Palin is that nice man who does the travel programmes on the BBC. Enfant terribles? Not exactly. Yet somehow, 40 years on, this virtuoso comedy collective has retained its … Continue reading

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