Tag Archives: tom stoppard

Leopoldstadt, Wyndham’s Theatre

Tom Stoppard’s latest – and possibly final – play has few of the dramatic hallmarks you might expect from him: the dazzling linguistic flourishes, the formal trickery, the knotty metaphors and giddy metatheatricality. Instead, we have a relatively straightforward, linear … Continue reading

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Endgame leads January’s Top 10 new London shows

From a starry Beckett revival to Tom Stoppard and magical mishaps. Read my full BroadwayWorld article here

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12 London Shows to See in 2020

2020 is already shaping up to be an incredible year of theatre! Here are some of our picks for the best new London shows to see in the New Year. Read my full TodayTix article here

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Book review: Dramatic Exchanges, ed. Daniel Rosenthal

This fascinating tome offers an insider’s history of the National Theatre, via some 800 letters exchanged between Artistic Directors, actors, directors, playwrights, politicians, agents, critics and more. From arcane trivia through to vigorous words on the very nature and purpose … Continue reading

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BWW Interview: Emma Fielding

The actress discusses Dominic Dromgoole’s production of Oscar Wilde’s A Woman of No Importance at Vaudeville Theatre. Read my full BroadwayWorld interview here

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Rosencrantz and Guildenstern Are Dead, Old Vic

Fifty years on, Tom Stoppard’s absurdist tragicomedy is back in the theatre where it had its professional premiere, and still just as dazzlingly virtuosic. If some of its gags, musings and metatheatrical tricks have since become overfamiliar through imitation, that’s … Continue reading

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Rosencrantz and Guildenstern Are Dead leads March’s Top 10 new London shows

From starry Stoppard and Marber revivals to toe-tapping musicals and Elena Ferrante on stage. Read my full BroadwayWorld article here

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Travesties, Apollo Theatre

After a hit run at the Menier Chocolate Factory, Patrick Marber’s storming revival of Tom Stoppard’s 1974 play gets a welcome West End encore. The triumph of this production is the way it honours Stoppard’s dazzling intellect while also going … Continue reading

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BWW Interview: Amy Morgan

The actress discusses her role in Tom Stoppard’s Travesties. Read my full BroadwayWorld interview here

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10 questions on Chekhov for playwright Simon Stephens

Fresh from global domination with The Curious Incident of the Dog in the Night-time, currently garnering rapturous reviews on Broadway, inexhaustible playwright and adaptor Simon Stephens has swapped Mark Haddon for Anton Chekhov and a new version of The Cherry Orchard, … Continue reading

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