The National Theatre’s Follies (currently enjoying a well-deserved encore run) is something of a musical theatre miracle. Stephen Sondheim and James Goldman’s 1971 show has endured almost as much existential angst as its characters, endlessly chopped and changed, but Dominic Cooke’s production – appropriately enough – … Continue reading
Harriet Lane’s memorably unsettling 2012 novel, about an overlooked sub-editor who infiltrates the literary elite, has been adapted for stage by Lucinda Coxon. Its combination of psychological thriller and industry satire is decently translated, but a conservative production from Bridge … Continue reading
This is a golden age of London Sondheim revivals, with Marianne Elliott’s thrilling Company still playing in the West End, and Dominic Cooke’s Follies getting a hugely welcome second run at the National – both testament to a director’s transformative vision. A few key cast changes add extra … Continue reading
In my February MoveTo Town and Country Arts pages: Exhibition Avant-garde visions in Home Futures at the Design Museum Film A right royal romp in award-winning The Favourite Theatre Sondheim reborn in the sensational musical Company Commuter corner Candid reflections from Michelle Obama … Continue reading
“Isn’t that the problem with political theater, too much directness?” queries one of Anne Washburn’s characters in her new play – which, in meta fashion, and over a leisurely three hours, not only addresses Trump head on, but also painstakingly … Continue reading
This year’s unofficial Arthur Miller season – following The Price and ahead of All My Sons at the Old Vic and Death of a Salesman at the Young Vic – now turns to his 1980 work, The American Clock, inspired in part by Miller’s own memories of … Continue reading
Fasten your seatbelts! Ivo van Hove has taken on the ultimate quotable backstage melodrama: Joseph L. Mankiewicz’s 1950 Oscar-winning film about a celebrated actress and her young wannabe assistant. And the modern star power is assured: Gillian Anderson succeeds Bette … Continue reading
The actress discusses Anne Washburn’s new Trump-era play Shipwreck at the Almeida. Read my full BroadwayWorld interview here
Jamie Lloyd’s outstanding season of Pinter shorts – chock-full of mini revelations, innovative stagings, and a thrilling range of work from both actors and creatives – finishes on a high note with this thoroughly entertaining pair. Read my full BroadwayWorld … Continue reading
