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This fascinating tome offers an insider’s history of the National Theatre, via some 800 letters exchanged between Artistic Directors, actors, directors, playwrights, politicians, agents, critics and more. From arcane trivia through to vigorous words on the very nature and purpose … Continue reading
The misfits shall inherit the earth. This enjoyably offbeat play from Stephen Karam (whose The Humans won the Tony for Best Play last year) opened Off-Broadway a decade ago, but the arrival of a film adaptation in April is a … Continue reading
The pivotal early 1930s period in which Herr Hitler overcame strong if fractured left-wing opposition should make for meaty drama, but the sluggish polemic currently occupying Southwark Playhouse will leave carnivorous viewers unsatiated. American playwright Tony Kusher is rightly celebrated … Continue reading
It seems almost unnecessary to criticise Tony Kushner’s insufferable polemic when he does so regularly within the text of A Bright Room Called Day. Characters rebuke one another for their “bad romantic posturing”, “elegant despair” and “carefully constructed but immobile” … Continue reading