Tag Archives: the browning version

Top 10 Plays Set In School

Posted on September 7, 2016 by mkmswain

Education, education, education – it’s an inescapable topic in theatre. Recent years have seen Future Conditional (kicking off Matthew Warchus’s Old Vic tenure), Matilda the Musical, The Brink, Kin, Our Ladies of Perpetual Succour, and, of course, Harry Potter and … Continue reading →

Posted in Journalism, Theatre | Tagged alan bennett, another country, best, boarding school, broadwayworld, bush theatre, child, colin firth, comprehensive, daisy pulls it off, daniel day-lewis, education, harry potter and the cursed child, james corden, jamie parker, john donnelly, john godber, julian mitchell, kenneth branagh, kid, lesbian, list, matilda, matt smith, musical, our ladies of perpetual succour, picks, play, public school, pupil, quartermaines terms, rattigan, rowan atkinson, Rupert Everett, school, simon gray, spring awakening, state school, teacher, teechers, the browning version, the childrens hour, the history boys, the knowledge, the prime of miss jean brodie, theatre, top 10 | Leave a comment

First Episode, Jermyn Street Theatre

Posted on November 1, 2014 by mkmswain

Rediscovered work offers aficionados a tantalising piece of the puzzle. Terence Rattigan’s callow debut, reborn after 80 years in obscurity, bears the hallmarks of his later plays, notably closeted ardour and the torment of unequal passion, but is more study … Continue reading →

Posted in Journalism, Theatre | Tagged 1930s, actress, adolescence, adult, censor, censorship, drama, first episode, friend, gay, homosexuality, homosociality, jermyn street theatre, london, lord chamberlain, lost play, love, misogyny, moral, moralising, ouds, oxford, oxford university, peggy ashcroft, play, reactionary, review, revival, romance, scandal, sex, student, terence rattigan, the arts desk, the browning version, the deep blue sea, theartsdesk, theatre, trinity college | Leave a comment

Tag Archives: the browning version

First Episode, Jermyn Street Theatre

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