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- Strictly Come Dancing 2020: Why this year’s stripped-back series will put the focus firmly on the dancefloor
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Tag Archives: south africa
Endgame leads January’s Top 10 new London shows
From a starry Beckett revival to Tom Stoppard and magical mishaps. Read my full BroadwayWorld article here
Posted in Journalism, Theatre
Tagged 2020, alan cumming, ambassadors theatre, antony sher, apartheid, best, book tickets, boulevard theatre, broadwayworld, cheap tickets, circus, comedy, cormac mccarthy, daniel radcliffe, endgame, faustus, gary beadle, harold pinter theatre, harry potter, jane horrocks, january, jasper britton, kunene and the king, leopoldstadt, lexicon, london, lucy kirkwood, lucy prebble, lyric hammersmith, magic goes wrong, maxine peake, mischief theatre, musical, national theatre, new, nofit state circus, old vic, orange tree theatre, penn and teller, play, roundhouse, show, south africa, that damned woman, the sugar syndrome, the sunset limited, the welkin, theatre, ticket deal, toby jones, todaytix, tom stoppard, top 10, uncle vanya, vaudeville theatre, west end, wyndhams theatre
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An Open Book: David Lan
The Young Vic’s artistic director shares his favourite reads, from Steinbeck and social history to Henry James and Stanislavsky. Read my full theartsdesk interview here
Posted in Fiction, Journalism, Theatre
Tagged artistic director, best, biography, book, brendan simms, chekhov, crime, david lan, dh lawrence, drama, Elmore Leonard, europe, favourite, fiction, graham greene, henry james, hg wells, history, interview, John Steinbeck, jonathan spence, Jonny Steinberg, joseph conrad, Michael Connelly, novel, peter brook, play, poetry, Raymond Chandler, read, robert caro, sci fi, south africa, stanislavsky, the arts desk, the empty space, The Grapes of Wrath, The Number, the portrait of a lady, theartsdesk, theatre, ts eliot, young vic, zola
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Thought-provoking encounter with a killer
Are those who commit atrocities inhuman? It’s reassuring to put distance between ourselves and these ‘monsters’, but no such comfort in Nicholas Wright’s riveting, must-see A Human Being Died That Night at the Hampstead. Evil has a name, and a face, … Continue reading
Posted in Journalism, Theatre
Tagged a human being died that night, apartheid, drama, eugene de kock, ham and high, hampstead, hampstead theatre, hannibal, killer, london, mandela, murder, Nicholas Wright, play, prison, review, silence of the lambs, south africa, theatre, truth and reconciliation commission
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