Neat freaks beware: Touch is your ultimate nightmare. This latest offering from DryWrite, the company that launched the now stratospheric Fleabag, centres on another woman with a chaotic personal life – this time, mirrored by the symphony of filth that is her cramped … Continue reading
Phoebe Eclair-Powell began training as an actress at the Drama Centre London, but soon switched over to playwriting. She’s worked with the National Youth Theatre on their Epic Stages programme, and her debut play WINK premiered at Theatre503 last year. … Continue reading
When gifting the unheard a voice, the temptation is often to make it a solemn one. Thankfully, Paddy Campbell has, for the most part, sidestepped puritanical preaching in his debut play based on experiences working at a ‘wet house’, a … Continue reading
If comedy is tragedy plus time, either too much has elapsed since the fictional events of Jezebel, or not quite enough. Newcomer Mark Cantan’s uneven screwball pitting a methodical couple against a scatter-brained opposite, with wacky misunderstandings aplenty, lacks the … Continue reading
My articles in the May issue of Dance Today, out now: These shoes are made for dancing The development of perfect dance shoes, plus best footwear for beginners and pros, ballroom and Latin, and stunning Strictly stats Murder on the dancefloor Have we … Continue reading
