Robert Icke, an associate director at the Almeida for the past six years, bids farewell in typically bold and epic fashion with his latest contemporary update. Arthur Schnitzler’s Professor Bernhardi, which premiered in 1912, has been skilfully reconfigured as an interrogation of … Continue reading
It seems to be the week for notable romcom two-handers. Joining Simon Stephens’ Heisenberg and David Ireland’s The End of Hope is David Eldridge’s meditation on the loneliness and halting longing of modern relationships. Read my full BroadwayWorld review here
Stop press: our rampant celebrity culture might not be wholly positive! If you’ve already been apprised of that fact some time in the past century, go ahead and skip actor Daniel Dingsdale’s debut play, which – along with Steve Thompson’s … Continue reading
A kiss is an innocent thing. So claims Brandon, the swimming coach accused of inappropriate contact, but in Josep Maria Miró i Coromina’s unsettling Archimedes’ Principle at Park Theatre, innocence is constantly reframed by context. Are we more likely to … Continue reading
At first, the reaction was muted. Stalling from Twitter. Stalling from the police. And, perhaps most worryingly, a stream of patronising comments from onlookers. ‘Just ignore it.’ ‘If you can’t take the heat, get off Twitter!’ ‘What did you expect?’ … Continue reading
