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The most thrilling revivals reinvigorate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical company Company makes a bold, inventive statement, but somehow also suggests this is how the … Continue reading
In the February issue of Dance Today, out now, my articles include: Coming out of the shadows From the Oscars to the Olympics, a look at the renaissance of shadow theatre, plus a preview of Pilobolus Dance Theatre’s new Sadler’s Wells … Continue reading