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True West leads December’s Top 10 new London shows

From a starry revival to new plays and the return of a modern classic. Read my full BroadwayWorld article here Advertisements

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BWW Interview: Hayden Tee

The actor discusses tackling Miss Trunchbull in Matilda The Musical. Read my full BroadwayWorld interview here

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Pinter Three and Pinter Four, Harold Pinter Theatre

Jamie Lloyd’s 10-anniversary season of Pinter (which kicked off in style earlier this autumn) continues with two more batches of miniatures – from familiar shorts like A Kind of Alaska to sketches and more obscure works – plus another tantalisingly starry company. Read my … Continue reading

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Sylvia leads September’s Top 10 new London shows

From a new hip-hop history lesson to Pinter and Shakespeare. Read my full BroadwayWorld article here

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The Importance of Being Earnest, Vaudeville Theatre

Classic Spring’s year-long season ends with Wilde gone wild: a free love riot that yanks the queer subtext into text, with everyone from masters and servants to, er, the long-lost brothers sharing snogs and cigarettes. The famous passive aggressive tea … Continue reading

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BWW Interview: Jeremy Swift talks The Importance of Being Earnest

The actor discusses appearing in the Wilde classic, plus Downton Abbey and the upcoming Mary Poppins Returns. Read my full BroadwayWorld interview here

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Othello leads August’s Top 10 new London shows

From starry Shakespeare and a new musical to family entertainment. Read my full BroadwayWorld article here

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The Lehman Trilogy leads July’s Top 10 new London shows

From a new theatrical epic to Shakespeare and musical spoof. Read my full BroadwayWorld article here

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Kiss Me, Kate, London Coliseum

Cole Porter’s 1948 love letter to showbiz is brilliantly served by Opera North’s big, bold and bawdy production – both soaringly romantic and packed with meta winks. A touring staple, Jo Davies’ detailed take (the revival helmed by Ed Goggin) beds down … Continue reading

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Long Day’s Journey Into Night leads February’s Top 10 new London shows

From O’Neill and flamenco to punk and Pippin. Read my full BroadwayWorld article here

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