Tag Archives: romance

An Ideal Husband, Vaudeville Theatre

Classic Spring’s third Oscar Wilde production gains extra piquancy from Amber Rudd’s resignation – dealing, as it does, with political scandal and social hypocrisy. It’s another facet for Jonathan Church’s well-balanced revival, which proves as handsome, witty and ultimately kindly … Continue reading

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Bat Out of Hell, Dominion Theatre

Back by feverishly popular demand, Jim Steinman’s mega-musical is no longer in danger of alarming unsuspecting operagoers. A year on from its Coliseum debut, this indisputably bonkers show moves to the West End venue it was surely always destined for – … Continue reading

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BWW Interview: Emma Williams

The actress discusses her role in the new musical version of An Officer and a Gentleman. Read my full BroadwayWorld interview here

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Summer and Smoke, Almeida Theatre

That this 1948 Tennessee Williams play is rarely performed seems nothing short of a travesty, thanks to the awe-inspiring case made for it by Rebecca Frecknall’s exquisite Almeida production. Aided by the skyrocketing Patsy Ferran, it also makes a case for director Frecknall as … Continue reading

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Hamilton: The Ultimate Guide

Hamilton finally makes its UK debut at the Victoria Palace Theatre tomorrow night. Need a quick primer on the musical phenomenon? Here’s the lowdown… Read my full BroadwayWorld article here

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The Slaves of Solitude, Hampstead Theatre

We’re back in the world of ration books, blackouts and spam fritters, as Nicholas Wright delves into the home front via his adaptation of Patrick Hamilton’s 1947 novel. Though there’s a certain period chintz about Jonathan Kent’s production, darker undercurrents make this a more … Continue reading

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BWW Interview: Fenella Woolgar

The actress discusses The Slaves of Solitude, the stage adaptation of Patrick Hamilton’s novel, at Hampstead Theatre. Read my full BroadwayWorld interview here

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Albion, Almeida Theatre

The urge to present state-of-the-nation plays following the Brexit vote is understandable, even vital, but has produced decidedly mixed results. Thankfully, Mike Bartlett’s empathetic Chekhovian response is a real winner: rich in loamy metaphor, yes, but also a gripping family drama … Continue reading

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A Woman of No Importance, Vaudeville Theatre

Dominic Dromgoole’s new company Classic Spring kicks off its year-long celebration of Oscar Wilde with lesser-known 1893 work A Woman of No Importance. A starry cast, led by the incandescent Eve Best, makes a strong case for the play, though Dromgoole’s reclaiming of Wilde … Continue reading

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Beginning, National Theatre

It seems to be the week for notable romcom two-handers. Joining Simon Stephens’ Heisenberg and David Ireland’s The End of Hope is David Eldridge’s meditation on the loneliness and halting longing of modern relationships. Read my full BroadwayWorld review here

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