Back by feverishly popular demand, Jim Steinman’s mega-musical is no longer in danger of alarming unsuspecting operagoers. A year on from its Coliseum debut, this indisputably bonkers show moves to the West End venue it was surely always destined for – … Continue reading
The actress discusses her role in the new musical version of An Officer and a Gentleman. Read my full BroadwayWorld interview here
That this 1948 Tennessee Williams play is rarely performed seems nothing short of a travesty, thanks to the awe-inspiring case made for it by Rebecca Frecknall’s exquisite Almeida production. Aided by the skyrocketing Patsy Ferran, it also makes a case for director Frecknall as … Continue reading
Hamilton finally makes its UK debut at the Victoria Palace Theatre tomorrow night. Need a quick primer on the musical phenomenon? Here’s the lowdown… Read my full BroadwayWorld article here
We’re back in the world of ration books, blackouts and spam fritters, as Nicholas Wright delves into the home front via his adaptation of Patrick Hamilton’s 1947 novel. Though there’s a certain period chintz about Jonathan Kent’s production, darker undercurrents make this a more … Continue reading
The actress discusses The Slaves of Solitude, the stage adaptation of Patrick Hamilton’s novel, at Hampstead Theatre. Read my full BroadwayWorld interview here
Dominic Dromgoole’s new company Classic Spring kicks off its year-long celebration of Oscar Wilde with lesser-known 1893 work A Woman of No Importance. A starry cast, led by the incandescent Eve Best, makes a strong case for the play, though Dromgoole’s reclaiming of Wilde … Continue reading
It seems to be the week for notable romcom two-handers. Joining Simon Stephens’ Heisenberg and David Ireland’s The End of Hope is David Eldridge’s meditation on the loneliness and halting longing of modern relationships. Read my full BroadwayWorld review here
