Though a long journey indeed, Richard Eyre’s is a vital revival, giving vigour to Eugene O’Neill’s mighty, semi-autobiographical work and making all the more poignant this tormented but fast-talking family’s gradual dwindling into a despairing silence. Read my full BroadwayWorld review here
The former Artistic Director of the National Theatre discusses memoir Balancing Acts, and his new Bridge Theatre. Read my full BroadwayWorld interview here
From Singin’ in the Rain and Anything Goes to Hello, Dolly! and Mary Poppins, Olivier Award winner Stephen Mear has done more than any other British choreographer to usher classic musicals into the modern era. But adept as he is … Continue reading
