Robert Icke, an associate director at the Almeida for the past six years, bids farewell in typically bold and epic fashion with his latest contemporary update. Arthur Schnitzler’s Professor Bernhardi, which premiered in 1912, has been skilfully reconfigured as an interrogation of … Continue reading
There’s a welcome alternative to panto hijinks in this gem of a Trevor Nunn musical revival – more attuned to the biting hardships of winter, and to the elegiac aspect of change, than to festive jollies. Which is not to say that there … Continue reading
It’s all change at the Kiln (was Tricycle) Theatre, with a £5.5 million redevelopment resulting in a bright, light, spacious and welcoming new building – complete with a more obvious street presence, comfortable café/bar area, plentiful ladies’ loos, and a … Continue reading
The actress discusses new hit musical Everybody’s Talking About Jamie. Read my full BroadwayWorld interview here
Move over, Avenue Q: there’s a new puppet in town. Flame-haired, foul-mouthed Tyrone, star of Robert Askins’ semi-autobiographical farce, is a nightmarish creation, but a necessary release for cowed Texas teen Jason, struggling with the death of his father. Mother … Continue reading
Hand to God actress Jemima Rooper talks puppetry, repression and blind casting. Read my full Ham & High interview here
There will be blood. And expletives. And puppet sex that makes Avenue Q look positively monastic. But perhaps most shocking of all is that beneath the eye-wateringly explicit surface of Robert Askins’ provocative farce, which began life Off-Off-Broadway in 2011, lies … Continue reading
The death of a child is an unnatural loss. There’s no reassurance that the departed lived a full life, rather the jagged edge of one cut short. In the case of Becca and Howie, it’s also nonsensical: their perfectly healthy … Continue reading
