Tag Archives: pinter

Kit Harington, Glenn Close and Timothy Spall Lead April’s Top 10 New London Shows

From Jamie Lloyd’s reinvention of Marlowe’s Faustus and Glenn Close’s Norma Desmond to Annie Baker’s Pulitzer Prize-winner and a new heist farce, here are some of this month’s most eye-catching openings. Read my full BroadwayWorld article here

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The Truth, Menier Chocolate Factory

Infidelity, hypocrisy, disillusionment, betrayal – and yet this is by far the lightest of French playwright Florian Zeller’s current London hat trick. Premiering in 2011, and thus sandwiched chronologically between the bleak pair of The Mother (2010) andThe Father (2012), … Continue reading

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The Mother, Tricycle Theatre

Anne longs for 23-year-old son Nicholas to return home. One night, he appears. Or does he? Welcome back to the queasily elliptical world of Florian Zeller, where certainty fractures as familiar elements are repeated, dissected, made strange and menacing. Zeller … Continue reading

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Hangmen, Wyndham’s Theatre

Just what constitutes reasonable behaviour in an enlightened society? Not long ago, the death penalty fell under that umbrella in Britain, and state-sanctioned killing as punishment for the crime of, well, killing is just the kind of twisted irony that … Continue reading

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The Homecoming, Trafalgar Studios

Welcome to the hellmouth. In Jamie Lloyd’s startling 50th anniversary revival, the seething, primal hinterland of Pinter’s domestic conflict is made flesh: the metal cage surrounding an innocuous living room glows a devilish red, sulphur-like smoke belches from the ether, … Continue reading

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Savagely powerful play takes us inside dementia

At its best, theatre doesn’t just communicate ideas or invite distanced empathy. It completely immerses us in the experience of another human being. Florian Zeller won France’s top drama prize, the Molière Award, for 2014 play The Father, and Christopher … Continue reading

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The Father, Tricycle Theatre

André is losing time. It’s not just his perennially mislaid watch, but whole hours, weeks, years. Is he still living in his Paris flat, or did he move in with his daughter Anne? Is she married, divorced, leaving the country … Continue reading

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The American nightmare

“What kinda people kill each other most? Family people.” Buttoned-up screenwriter Austin (Eugene O’Hare), housesitting for his mother, and estranged brother Lee (Alex Ferns), a petty thief belligerently mythologising his drifter existence, embody the dangerous intensity of blood bond from … Continue reading

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Love hurts

Sexual violence. Verbal abuse. Psychological torture. Infidelity. Rape. Abortion. The basis of an earnest, plodding issues play? No, the shockingly funny, keenly observed and Verity Bargate Award-winning debut from DryWrite’s Vicky Jones, currently provoking audiences at the Soho Theatre. The … Continue reading

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Can you tell what it is yet?

If imitation is the sincerest form of flattery, Between Ten and Six may be one of the most flattering plays in London. Unfortunately, its confused hotchpotch of inspirations makes it more half-finished, drama-student scrapbook than a satisfying piece of standalone theatre. The … Continue reading

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