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Tag Archives: olivier
Twelfth Night, National Theatre
Suffused with grief and unrequited love, Twelfth Night is often played as an anti-comedy – more melancholy than mirthful. Not so in Simon Godwin’s brash, gender-bending, utterly joyful rendering, which takes loss as a cue to embrace life. Read my … Continue reading
Posted in Journalism, Theatre
Tagged broadwayworld, daniel rigby, malvolia, national theatre, oliver chris, olivier, phoebe fox, review, shakespeare, simon godwin, tamsin greig, tim mcmullan, Twelfth Night
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Women triumph in Branagh’s starry rep
Continuing the Olivier comparisons, Kenneth Branagh has established an eponymous rep company and year-long Garrick season. It opens with a problematic Shakespeare problem play and incongruous Rattigan double bill – material made financially viable by a starry cast of veterans … Continue reading
Posted in Uncategorized
Tagged all on her own, branagh, celebrity, drama, garrick theatre, ham and high, harlequinade, jessie buckley, judi dench, kenneth branagh, king, london, olivier, play, problem play, rattigan, review, rob ashford, shakespeare, star, the winters tale, theatre, west end, zoe wanamaker
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The Winter’s Tale, Harlequinade/All On Her Own, Garrick Theatre
What exactly is the level of Kenneth Branagh’s self-awareness? He’s certainly conscious of inviting comparison with Olivier once again by presenting a year-long season of plays at the refurbished Garrick under the auspices of the Kenneth Branagh Theatre Company – … Continue reading
Posted in Journalism, Theatre
Tagged all on her own, backstage, christmas, comedy, company, daughter, death, drama, exit pursued by a bear, family, father, garrick theatre, grief, harlequinade, husband, jessie buckley, judi dench, kenneth branagh, kiss me kate, london, loss, noises off, nutcracker, olivier, play, rattigan, rep, review, rob ashford, romeo and juliet, shakespeare, the arts desk, the winters tale, theartsdesk, theatre, west end, widow, wife, zoe wanamaker
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Listed: Suffragettes portrayed
Following the release of film Suffragette, theartsdesk explores other depictions of the women’s movement, from fiction and drama to documentary and song. Read the full theartsdesk article here
Posted in Art, Fiction, Journalism, Theatre, TV
Tagged abi morgan, bfi, bicycle, book, carey mulligan, Charlotte Perkins Gilman, comedy, cycling, drama, emeline pankhurst, fallings angels, feminism, feminist, fiction, film, her naked skin, hg wells, independence, meryl streep, movie, mr selfridge, mrs warrens profession, national theatre, no surrender, novel, olivier, pankhurst, parades end, play, protest, read, rebecca lenkiewicz, sarah gavron, shoulder to shoulder, song, suffrage, suffragette, the arts desk, theartsdesk, theatre, tv, up the women, vote, votes for women, war, woman, women, womens movement
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Everyman, National Theatre
As we stagger towards electoral chaos, isn’t it comforting to think there might be a master plan at work? That Russell Brand’s meddling is preordained, or Cameron’s ‘brain fade’ an act of divine intervention? The second play in Rufus Norris’s … Continue reading
Posted in Journalism, Theatre
Tagged 12 years a slave, 15th century, artistic director, carol ann duffy, chiwetel ejiofor, christianity, dance, dancing, david cameron, death, divine, don draper, drama, ed miliband, election, everyman, faith, god, javier de frutos, london, mad men, morality play, movement, nation, national, national theatre, olivier, play, poet, poet laureate, poetry, religion, review, rufus norris, russell brand, salvation, sharon d clarke, singing, song, state of the nation, the arts desk, theartsdesk, theatre
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Solid but unremarkable Lear does what it says on the tin
Indefatigable character actor David Ryall, stalwart of Olivier’s Old Vic and Peter Hall’s National, now best known to youngsters as Dumbledore’s pal and Grandad in Outnumbered, finally graduates to leading man in Darker Purpose Theatre’s King Lear at The Cockpit. … Continue reading
Posted in Journalism, Theatre
Tagged cockpit, darker purpose, david ryall, ham & high, harry potter, king lear, london, national theatre, old vic, olivier, outnumbered, peter hall, play, review, ronseal, sam mendes, shakespeare, stage, theatre
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Wonderfully lucid Lear with a licence to thrill
Fresh from Skyfall triumph, Sam Mendes swaps Bond for the Bard and Daniel Craig for long-time collaborator Simon Russell Beale in a wonderfully lucid King Lear, certain to please aficionados and win over newcomers. Mendes’s Lear is the tyrant of … Continue reading
Posted in Journalism, Theatre
Tagged Adrian Scarborough, anna maxwell martin, drama, ham & high, james bond, king lear, london, national theatre, olivier, play, review, sam mendes, shakespeare, simon russell beale, skyfall, theatre, wheel of fortune
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