Tag Archives: nicholas hytner

Guys & Dolls, Bridge Theatre

Nicholas Hytner hits the jackpot with this exhilarating immersive revival. Read my full London Theatre review here

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How Guys and Dolls became a popular West End musical

Revising the beloved show ahead of Nicholas Hytner’s new immersive production at the Bridge Theatre. Read my full London Theatre article here

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The Book of Dust – La Belle Sauvage, Bridge Theatre

Phillip Pullman’s tricky prequel struggles to find magic. Read my full London Theatre review here

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Alys, Always, Bridge Theatre

Harriet Lane’s memorably unsettling 2012 novel, about an overlooked sub-editor who infiltrates the literary elite, has been adapted for stage by Lucinda Coxon. Its combination of psychological thriller and industry satire is decently translated, but a conservative production from Bridge … Continue reading

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Allelujah!, Bridge Theatre

This highly anticipated new play from 84-year-old Alan Bennett premieres at the Bridge, continuing his long-standing relationship with Nicholas Hytner. It’s an exciting get, and there are wonderful flashes of Bennett wit, wisdom and stirring empathy, but also polemical outbursts and baggy … Continue reading

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BWW Interview: Bunny Christie and Tony Grech-Smith

The designer and NT Live broadcast director on, respectively, creating Julius Caesar at the Bridge Theatre and translating it to screen. Read my full BroadwayWorld interview here

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BWW Interview: Nicholas Hytner

The former Artistic Director of the National Theatre discusses memoir Balancing Acts, and his new Bridge Theatre. Read my full BroadwayWorld interview here

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Young Marx, Bridge Theatre

Nicholas Hytner and Nick Starr’s enterprise is certainly an historic one: The Bridge is London’s first new wholly commercial theatre in 80 years. If its opening play isn’t the same landmark work, it’s nevertheless an auspicious start to a promising … Continue reading

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Labour of Love leads October’s Top 10 new London shows

From James Graham’s political drama to immersive Agatha Christie and the unveiling of a new venue. Read my full BroadwayWorld article here

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Classic sings out with renewed vigour

How do you solve a problem like a musical? Rodgers and Hammerstein’s ambitious Carousel seems tailor-made for expansive venues like the National Theatre, where Nicholas Hytner memorably revived this show in 1992: diminutive studios need not apply. But conventional wisdom gets … Continue reading

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