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Tag Archives: nicholas hytner
Guys & Dolls, Bridge Theatre
Nicholas Hytner hits the jackpot with this exhilarating immersive revival. Read my full London Theatre review here
How Guys and Dolls became a popular West End musical
Revising the beloved show ahead of Nicholas Hytner’s new immersive production at the Bridge Theatre. Read my full London Theatre article here
Posted in Film, Journalism, Theatre
Tagged book tickets, bridge theatre, broadway, damon runyon, film, frank sinatra, gambler, guys and dolls, immersive, london, london theatre, luck be a lady tonight, marlon brando, movie, musical, new york, nicholas hytner, revival, sit down youre rocking the boat, theatre, west end
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The Book of Dust – La Belle Sauvage, Bridge Theatre
Phillip Pullman’s tricky prequel struggles to find magic. Read my full London Theatre review here
Posted in Journalism, Theatre
Tagged adaptation, book, book of dust, bridge theatre, his dark materials, la belle sauvage, london, london theatre, nicholas hytner, novel, philip pullman, play, review, theatre
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Alys, Always, Bridge Theatre
Harriet Lane’s memorably unsettling 2012 novel, about an overlooked sub-editor who infiltrates the literary elite, has been adapted for stage by Lucinda Coxon. Its combination of psychological thriller and industry satire is decently translated, but a conservative production from Bridge … Continue reading
Posted in Journalism, Theatre
Tagged alys always, bridge theatre, broadwayworld, downton abbey, harriet lane, joanna david, joanne froggatt, journalist, newspaper, nicholas hytner, novelist, play, review, robert glenister, theatre, writer
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BWW Interview: Bunny Christie and Tony Grech-Smith
The designer and NT Live broadcast director on, respectively, creating Julius Caesar at the Bridge Theatre and translating it to screen. Read my full BroadwayWorld interview here
Posted in Film, Journalism, Theatre
Tagged ben whishaw, bridge theatre, broadcast, broadwayworld, bunny christie, cinema, designer, director, interview, julius caesar, london, nicholas hytner, nt live, politics, revolution, screen, shakesepare, theatre, tony grech-smith, trump, tv
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BWW Interview: Nicholas Hytner
The former Artistic Director of the National Theatre discusses memoir Balancing Acts, and his new Bridge Theatre. Read my full BroadwayWorld interview here
Posted in Fiction, Journalism, Theatre
Tagged alan bennett, artistic director, audra mcdonald, balancing acts, beginning, benedict cumberbatch, book, book tickets, bridge theatre, broadwayworld, buy, carousel, curious incident of the dog in the night time, danny boyle, director, diversity, follies, frankenstein, his dark materials, interview, johnny lee miller, london, martin mcdonagh, memoir, musical, national theatre, new writing, nicholas hytner, nick starr, one man two guvnors, philip pullman, richard eyre, rufus norris, the book of dust, the history boys, tom morris, war horse, west end, young marx
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Young Marx, Bridge Theatre
Nicholas Hytner and Nick Starr’s enterprise is certainly an historic one: The Bridge is London’s first new wholly commercial theatre in 80 years. If its opening play isn’t the same landmark work, it’s nevertheless an auspicious start to a promising … Continue reading
Posted in Journalism, Theatre
Tagged bridge theatre, broadwayworld, children, class, clive coleman, comedy, communist, engels, family, farce, german, london, marriage, marx, nicholas hytner, nick starr, oliver chris, play, politician, politics, refugee, review, revolution, richard bean, rory kinnear, sex, socialism, soho, the bridge, theatre, victorian, visit london, young marx
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Classic sings out with renewed vigour
How do you solve a problem like a musical? Rodgers and Hammerstein’s ambitious Carousel seems tailor-made for expansive venues like the National Theatre, where Nicholas Hytner memorably revived this show in 1992: diminutive studios need not apply. But conventional wisdom gets … Continue reading
Posted in Journalism, Theatre
Tagged arcola, carousel, east london, lee proud, morphic graffiti, musical, national theatre, nicholas hytner, review, rodgers and hammerstein, the arts desk, theatre
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