The most thrilling revivals reinvigorate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical company Company makes a bold, inventive statement, but somehow also suggests this is how the … Continue reading
Transatlantic theatrical traffic is busier than ever, and now here at the Hampstead is not just Stephen Karam’s Tony-winning play, first seen in 2015, but director Joe Mantello and his full Broadway cast. It seems fitting that they should travel together, since Karam’s work … Continue reading
Through one family and one company, Italian playwright Stefano Massini tackles big topics: the development of Western capitalism, the immigrant experience, the American Dream. But this isn’t just any family – it’s the Lehman Brothers, the collapse of whose banking … Continue reading
The band’s back together. Alfred Molina plays Rothko for the third time in Michael Grandage’s revisiting of John Logan’s richly textured two-hander, first seen at the Donmar in 2009 and then bypassing the West End for Broadway. Another excellent Alfred – Alfred Enoch, of … Continue reading
Back by feverishly popular demand, Jim Steinman’s mega-musical is no longer in danger of alarming unsuspecting operagoers. A year on from its Coliseum debut, this indisputably bonkers show moves to the West End venue it was surely always destined for – … Continue reading
Inequality is a hot topic for dramatists, but Sarah Burgess’s deliciously dark comedy comes at it from a surprising perspective: allowing those high-finance gorgons to have their say. Of course, part of the strategy is giving them enough rope to … Continue reading
The actor discusses his role in Venus in Fur at Theatre Royal Haymarket. Read my full BroadwayWorld interview here
A hit on Broadway, David Ives’s steamy two-hander now boasts Natalie Dormer and David Oakes, well-known for their screen work, in its West End cast, with Patrick Marber on directing duties. That plus the tabloid panting over Dormer’s skimpy S&M attire should certainly … Continue reading
Has there ever been a time when we’re more in need of irrepressible optimism? The orphan who convinces everyone around her that “the sun will come out tomorrow” has certainly hit the West End at an opportune moment, and there’s … Continue reading
The director/choreographer on reviving On the Town at Regent’s Park Open Air. Read my full BroadwayWorld interview here
