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Like David Bowie himself, this is a show that defies definition. It’s both all and none of a musical, a play, a gig, performance art, philosophical meditation, a fever dream, a collective trip into the unknown. It’s aesthetically ravishing, musically … Continue reading
From the late great Bowie’s musical to Glenda Jackson’s Lear and Mark Rylance’s return. Read my full BroadwayWorld article here