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The most thrilling revivals reinvigorate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical company Company makes a bold, inventive statement, but somehow also suggests this is how the … Continue reading
From the French playwright’s highly anticipated The Truth to Kenneth Branagh’s hitman farce and an atomic musical, here are some of this week’s most eye-catching openings. Read my full BroadwayWorld article here