-
Recent Posts
Tags
Archives
-
Follow me on Twitter
Tweets by mkmswainLinks
Tag Archives: love changes everything
Aspects of Love, Lyric Theatre
Michael Ball leads an inescapably dated Lloyd Webber revival. Read my full London Theatre review here
Michael Ball and more on Aspects of Love
Andrew Lloyd Webber’s bed-hopping musical is back – albeit updated for our times. Does it still have the power to shock? Read my full Telegraph article here
Posted in Journalism, Theatre
Tagged andrew lloyd webber, aspects of love, book tickets, broadway, cast, danielle de niese, interview, Jamie Bogyo, jonathan kent, laura pitt-pulford, london, love, love changes everything, lyric theatre, michael ball, musical, nica burns, preview, sex, taboo, telegraph, theatre, west end
Leave a comment
Discover Michael Ball’s theatre roles, music career, and more
Ahead of a West End revival of the Andrew Lloyd Webber musical Aspects of Love, once again starring Ball. Read my full London Theatre article here
Posted in Journalism, Theatre, TV
Tagged andrew lloyd webber, aspects of love, book tickets, hairspray, imelda staunton, les miserables, london, london theatre, love changes everything, lyric theatre, michael ball, musical, play, sondheim, that day we sang, theatre, victoria wood, west end
Leave a comment
Incest, skinned rabbits and 007 – why Andrew Lloyd Webber’s worst musical should be buried forever
Aspects of Love is being revived in the West End – why? Read my full Telegraph article here
Posted in Journalism, Theatre
Tagged andrew lloyd webber, aspects of love, bloomsbury group, David Garnett, duncan grant, incest, jonathan kent, london, love changes everything, lyric theatre, michael ball, musical, revival, roger moore, theatre, trevor nunn, vanessa bell, virginia woolf, west end
Leave a comment
Aspects of Love, Southwark Playhouse
“Love Changes Everything”, as immortalised by Michael Ball, is the most enduring feature of Andrew Lloyd Webber, Don Black and Charles Hart’s 1989 musical – a moderate West End success, and a Broadway flop. Jonathan O’Boyle’s production, seen last year at Manchester’s Hope … Continue reading