For the premiere work of new company Elliott & Harper Productions, director Marianne Elliott got the Curious Incident band back together, from playwright Simon Stephens to her acclaimed creative team. But it’s in service of a much more intimate piece that – while strikingly staged … Continue reading
The death of a child is an unnatural loss. There’s no reassurance that the departed lived a full life, rather the jagged edge of one cut short. In the case of Becca and Howie, it’s also nonsensical: their perfectly healthy … Continue reading
What exactly is the level of Kenneth Branagh’s self-awareness? He’s certainly conscious of inviting comparison with Olivier once again by presenting a year-long season of plays at the refurbished Garrick under the auspices of the Kenneth Branagh Theatre Company – … Continue reading
The anticipated union of in-vogue director Ivo van Hove and playwright Simon Stephens at theatrical hotspot the Young Vic is surprisingly low-key, but this 75-minute monologue lingers long after the event. Read my full Ham & High review of Song from Far Away … Continue reading
“My brother died.” That’s the reality New York-based banker Willem struggles to inhabit when he returns to his estranged family in Amsterdam. There is no sense in Pauli’s loss – a sudden heart attack at 20, cradled by a stranger … Continue reading
Life, the universe and everything… in 70 minutes. You certainly can’t fault Nick Payne’s ambition, nor help but admire the dazzling inventiveness of his theoretical physics romcom with a side helping of artisanal beekeeping. Read my full theartsdesk review here
The play I have just seen is not the play you will see. Of course, one of the draws of live performance is that no two nights are the same, but that idea is taken to a mesmerising extreme in … Continue reading
André is losing time. It’s not just his perennially mislaid watch, but whole hours, weeks, years. Is he still living in his Paris flat, or did he move in with his daughter Anne? Is she married, divorced, leaving the country … Continue reading
The Orange Tree’s renaissance continues with this searing piece from playwright of the moment Alice Birch, who will shortly follow up last year’s subversive Revolt. She Said. Revolt Again with an interrogation of the porn industry for Rufus Norris’s debut … Continue reading
Ghosts are walking at the Young Vic. Katie Mitchell’s stark, startling production of Chekhov’s final lament is not just an evocation of a lost era, but a summoning of the spirits haunting Vicki Mortimer’s chilling sepulchral mansion. This is a … Continue reading
