Tag Archives: jewish

Falsettos, The Other Palace

William Finn and James Lapine’s musical – which combines two linked one-acts, March of the Falsettos and Falsettoland, set in late 1970s/early 1980s New York – picked up Tony Awards in 1992 for its book and score, and was nominated again in 2016 for an acclaimed revival. Yet the UK … Continue reading

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BWW Interview: Dr Daniel Sokol

The medical ethicist discusses his consultation on Robert Icke’s The Doctor at the Almeida Theatre. Read my full interview here

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The Doctor, Almeida Theatre

Robert Icke, an associate director at the Almeida for the past six years, bids farewell in typically bold and epic fashion with his latest contemporary update. Arthur Schnitzler’s Professor Bernhardi, which premiered in 1912, has been skilfully reconfigured as an interrogation of … Continue reading

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Fiddler on the Roof, Menier Chocolate Factory

There’s a welcome alternative to panto hijinks in this gem of a Trevor Nunn musical revival – more attuned to the biting hardships of winter, and to the elegiac aspect of change, than to festive jollies. Which is not to say that there … Continue reading

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Holy Sh!t, Kiln Theatre

It’s all change at the Kiln (was Tricycle) Theatre, with a £5.5 million redevelopment resulting in a bright, light, spacious and welcoming new building – complete with a more obvious street presence, comfortable café/bar area, plentiful ladies’ loos, and a … Continue reading

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The Lehman Trilogy, National Theatre

Through one family and one company, Italian playwright Stefano Massini tackles big topics: the development of Western capitalism, the immigrant experience, the American Dream. But this isn’t just any family – it’s the Lehman Brothers, the collapse of whose banking … Continue reading

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Funny Girl, Savoy Theatre

Vaudeville is having quite the West End moment, with Funny Girl inheriting the Savoy from Gypsy and Mrs Henderson Presents over at the Noël Coward. Gypsy is the pick of the bunch dramatically, delivering theatre history with real psychological heft, but Sheridan … Continue reading

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Moderate Soprano is a moderate success

Following Farinelli and the King, here’s another gently aimless drama about opera and – more circuitously – the inestimable value of art. David Hare takes us back to 1934 and the birth of Glyndebourne, with Rae Smith’s design illustrating its … Continue reading

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Clumsy look at Jewish Broadway history is toe-tapping nostalgia

Lacking the shrewd lampooning instincts of Spamalot, from which it takes its name, revue You Won’t Succeed On Broadway If You Don’t Have Any Jews is a muddle: too solemn for satire, too grandiloquent for cabaret, and too fractured for musical … Continue reading

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You Won’t Succeed On Broadway If You Don’t Have Any Jews, St James Theatre

Well, here’s an oddity. You Won’t Succeed… is too fragmented for musical theatre, too bombastic for cabaret, and about as profound as a first-draft Wikipedia page. Channelling the self-referential levity of the Monty Python show from which it takes its … Continue reading

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