Tag Archives: jeremy herrin

Best of Enemies, Noel Coward Theatre

James Graham’s play hits the West End, with Zachary Quinto joining the cast. Read my full London Theatre review here

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Best of Enemies, Young Vic

Could any political play top the current seething drama in Westminster? Perhaps not, but James Graham’s latest is another fascinating slice of history that feels all too pertinent. Read my full London Theatre review here

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Noises Off, Garrick Theatre

“Doors and sardines. Getting on, getting off. Getting the sardines on, getting the sardines off. That’s farce. That’s the theatre. That’s life.” Michael Frayn’s laugh-til-you-weep backstage comedy transfers from the Lyric Hammersmith (where it first appeared in 1982), and Jeremy Herrin’s superb revival has … Continue reading

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Noises Off, Lyric Hammersmith

Do not anger the theatre gods, for their vengeance is swift and mighty. On press night of Michael Frayn’s peerless portrait of backstage disasters, the Lyric suffered its own “technical difficulties”, adding a distinctly meta frisson to this already gloriously … Continue reading

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Labour of Love, Noel Coward Theatre

With This House enjoying an acclaimed revival last year, and Almeida hit Ink now situated just metres away from new offering Labour of Love on St Martin’s Lane, the West End currently belongs to the fantastically prolific playwright James Graham. Read my full BroadwayWorld review here

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Common, National Theatre

It’s entirely possible that there will one day be a fascinating Heart of Darkness-esque documentary about the making of Common. We can only hope, because the creation of something so extraordinary, so wilfully bewildering, on the National’s biggest stage is … Continue reading

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Dark portrait of addiction

Emma lies, professionally and pathologically. She’s a struggling actress, and her zeal for living lives other than her own is the biggest barrier to her recovery from drugs and alcohol addiction. Duncan Macmillan’s searing piece, which transfers after a sold-out … Continue reading

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People, Places & Things, Wyndham’s Theatre

Recovery depends on honesty, but Emma – not her real name – lies for a living. Duncan Macmillan’s searing play, getting a well-deserved West End transfer from the National, complicates the familiar story of addiction and rehab by making its … Continue reading

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Moderate Soprano is a moderate success

Following Farinelli and the King, here’s another gently aimless drama about opera and – more circuitously – the inestimable value of art. David Hare takes us back to 1934 and the birth of Glyndebourne, with Rae Smith’s design illustrating its … Continue reading

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