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Tag Archives: farce
Noises Off, Lyric Hammersmith
Do not anger the theatre gods, for their vengeance is swift and mighty. On press night of Michael Frayn’s peerless portrait of backstage disasters, the Lyric suffered its own “technical difficulties”, adding a distinctly meta frisson to this already gloriously … Continue reading
Posted in Journalism, Theatre
Tagged actors, backstage, bedroom farce, book tickets, broadwayworld, cheap tickets, comedy, director, farce, jeremy herrin, london, lyric hammersmith, meera syal, michael frayn, noises off, review, sex, slapstick, summer, theatre, ticket deal
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Present Laughter, Old Vic
Great Scott! His recent turn as Fleabag‘s Hot Priest made him a global sex symbol. Now, Andrew Scott reminds audiences that he’s just as irresistible on stage, leading Matthew Warchus’s absolute romp of a Noël Coward revival with the kind of panache … Continue reading
Posted in Journalism, Theatre
Tagged actor, andrew scott, bisexual, book tickets, broadwayworld, cheap tickets, comedy, farce, fleabag, game of thrones, hot priest, indira varma, london, matthew warchus, noel coward, old vic, play, present laughter, review, romance, sale, save, sex, sophie thompson, summer, theatre, ticket deal, visit london
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No laughing matter: The challenges of reviewing comedy
BroadwayWorld reviewers share their thoughts. Read the full article here
Posted in Journalism, Theatre
Tagged article, broadwayworld, comedy, comic, edinburgh festival, farce, funny, gender, humour, improv, joke, laugh, play, review, reviewer, reviewing, simon amstell, sketch, stand-up, theatre
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Young Marx, Bridge Theatre
Nicholas Hytner and Nick Starr’s enterprise is certainly an historic one: The Bridge is London’s first new wholly commercial theatre in 80 years. If its opening play isn’t the same landmark work, it’s nevertheless an auspicious start to a promising … Continue reading
Posted in Journalism, Theatre
Tagged bridge theatre, broadwayworld, children, class, clive coleman, comedy, communist, engels, family, farce, german, london, marriage, marx, nicholas hytner, nick starr, oliver chris, play, politician, politics, refugee, review, revolution, richard bean, rory kinnear, sex, socialism, soho, the bridge, theatre, victorian, visit london, young marx
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The Painkiller, Garrick Theatre
The fourth production in Branagh’s Garrick season is the revival of an odd-couple romp he brought to the Lyric, Belfast in 2011. Sean Foley (best known for his superlative Branagh-directed Morecambe and Wise tribute The Play What I Wrote) adapts … Continue reading
Posted in Journalism, Theatre
Tagged comedy, double act, farce, garrick theatre, hitman, hotel, kenneth branagh, london, odd couple, review, rob brydon, sean foley, sex, the arts desk, the painkiller, theartsdesk, theatre, west end
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Hand to God, Vaudeville Theatre
There will be blood. And expletives. And puppet sex that makes Avenue Q look positively monastic. But perhaps most shocking of all is that beneath the eye-wateringly explicit surface of Robert Askins’ provocative farce, which began life Off-Off-Broadway in 2011, lies … Continue reading
Posted in Journalism, Theatre
Tagged america, broadway, christian, comedy, drama, family, farce, grief, hand to god, harry melling, janie dee, Jemima Rooper, london, neil pearson, parent, puppet, religion, review, robert askins, sex, texas, the arts desk, theartsdesk, theatre, vaudeville theatre, west end
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Hangmen, Wyndham’s Theatre
Just what constitutes reasonable behaviour in an enlightened society? Not long ago, the death penalty fell under that umbrella in Britain, and state-sanctioned killing as punishment for the crime of, well, killing is just the kind of twisted irony that … Continue reading
Posted in Journalism, Theatre
Tagged capital punishment, crime, david morrissey, death, drama, farce, hang, hanged, hangmen, johnny flynn, justice, london, martin mcdonagh, murder, oldham, pierrepoint, pinter, play, pub, review, royal court, sixties, the arts desk, theartsdesk, theatre, thriller, west end
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Unsubtle Tartuffe update misses target
Last year, American poet/playwright Marcus Gardley scored a hit at the Tricycle by transporting Lorca to 19th-century New Orleans, and his loose adaptation of Molière’s 1664 Tartuffe seemed equally promising – the hypocritical religious devotee becoming a Deep South charlatan preacher. … Continue reading
Posted in Journalism, Theatre
Tagged a wolf in snakeskin shoes, comedy, deep south, drama, farce, gospel, ham and high, Indhu Rubasingham, london, marcus gardley, moliere, play, preacher, religion, review, sharon d clarke, sing, singing, tartuffe, theatre, tricycle theatre
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A Wolf in Snakeskin Shoes, Tricycle Theatre
Molière’s 1664 comedy Tartuffe transplanted to present-day Atlanta, Georgia: it sounds like an inspired idea. The hypocritical religious devotee becomes a charlatan preacher fleecing his flock, offering salvation in exchange for hard cash and a distinctly unpriestly grope. But Marcus … Continue reading
Posted in Journalism, Theatre
Tagged a wolf in snakeskin shoes, america, atlanta, bible, christian, church, comedy, deep south, drama, empire, faith, faith healer, family, farce, gay, georgia, god, gospel, homosexual, marcus gardley, moliere, music, noises off, play, poetry, preacher, religion, review, sex, singing, tartuffe, the arts desk, theartsdesk, theatre, tricycle theatre, verse
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