Tag Archives: duke of yorks theatre

Shirley Valentine, Duke of York’s Theatre

Sheridan Smith casts a spell in Willy Russell’s endearing, if dated, one-woman play. Read my full London Theatre review here

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A Different Stage, Duke of York’s Theatre

Gary Barlow shines in this gem of a one-man show. Read my full London Theatre review here

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How Take That’s Gary Barlow dominated the music industry

Revisit his success ahead of one-man show A Different Stage. Read my full London Theatre article here

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The Glass Menagerie, Duke of York’s Theatre

Amy Adams leads a touching but excessively gentle revival. Read my full London Theatre review here

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The Ocean at the End of the Lane, Duke of York’s Theatre

The monsters are back. Neil Gaiman’s fantasy novel came to life at the National Theatre in 2019 and now, following a Covid delay, is weaving its magic over the West End. Read my full London Theatre review here

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Blithe Spirit, Duke of York’s Theatre

This is perhaps an odd time for Nöel Coward’s comedy about death and supernatural apparitions to land in the West End – Richard Eyre’s revival transferring from Theatre Royal Bath. On the other hand, there’s something comforting about Coward’s wartime … Continue reading

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Touching the Void, Duke of York’s Theatre

How can you possibly put Joe Simpson’s account of his hellish mountaineering accident on stage? Curiosity alone might well draw in viewers for this new adaptation, which premiered last year at Bristol Old Vic – swiftly followed by awe at … Continue reading

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& Juliet leads November’s Top 10 new London shows

From highly anticipated musicals to mountaineering and Welsh apocalypse, here are some of this month’s most eye-catching openings. Read my full BroadwayWorld article here

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Falsettos leads September’s Top 10 new London shows

From a landmark musical and Caryl Churchill to Wall Street and ABBA immersion. Read my full BroadwayWorld article here

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Rosmersholm, Duke of York’s Theatre

As politicians and pundits dissect the local election results, Duncan Macmillan serves up a blistering new adaptation of an 1886 work that feels eerily like a 2019 commentary. Move over, James Graham – it turns out Ibsen has supplied the … Continue reading

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