Tag Archives: christopher hampton

The Height of the Storm, Wyndham’s Theatre

French playwright Florian Zeller returns, with another compelling puzzle box of a play – the only thing definite about it being the trademark definite article in the title. But anchoring the human side of this elliptical work is a pair of commanding … Continue reading

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The Lie, Menier Chocolate Factory

A year after premiering acclaimed French playwright Florian Zeller’s The Truth, London’s Menier Chocolate Factory now hosts The Lie – which, as the name suggests, acts as a companion piece of sorts. Once again, we’re in a slippery Pinteresque realm, the seemingly conventional domestic set-up teasingly deconstructed … Continue reading

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The Philanthropist, Trafalgar Studios

Christopher Hampton’s 1969 take on Molière’s The Misanthrope is often played with actors older than their characters, but director Simon Callow has recruited some of TV’s bright young things to play the solipsistic academics. It may well attract new audiences … Continue reading

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The Truth, Menier Chocolate Factory

Infidelity, hypocrisy, disillusionment, betrayal – and yet this is by far the lightest of French playwright Florian Zeller’s current London hat trick. Premiering in 2011, and thus sandwiched chronologically between the bleak pair of The Mother (2010) andThe Father (2012), … Continue reading

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The Mother, Tricycle Theatre

Anne longs for 23-year-old son Nicholas to return home. One night, he appears. Or does he? Welcome back to the queasily elliptical world of Florian Zeller, where certainty fractures as familiar elements are repeated, dissected, made strange and menacing. Zeller … Continue reading

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Savagely powerful play takes us inside dementia

At its best, theatre doesn’t just communicate ideas or invite distanced empathy. It completely immerses us in the experience of another human being. Florian Zeller won France’s top drama prize, the Molière Award, for 2014 play The Father, and Christopher … Continue reading

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The Father, Tricycle Theatre

André is losing time. It’s not just his perennially mislaid watch, but whole hours, weeks, years. Is he still living in his Paris flat, or did he move in with his daughter Anne? Is she married, divorced, leaving the country … Continue reading

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10 questions on Chekhov for playwright Simon Stephens

Fresh from global domination with The Curious Incident of the Dog in the Night-time, currently garnering rapturous reviews on Broadway, inexhaustible playwright and adaptor Simon Stephens has swapped Mark Haddon for Anton Chekhov and a new version of The Cherry Orchard, … Continue reading

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