Tag Archives: child

Albion, Almeida Theatre

The urge to present state-of-the-nation plays following the Brexit vote is understandable, even vital, but has produced decidedly mixed results. Thankfully, Mike Bartlett’s empathetic Chekhovian response is a real winner: rich in loamy metaphor, yes, but also a gripping family drama … Continue reading

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A Woman of No Importance, Vaudeville Theatre

Dominic Dromgoole’s new company Classic Spring kicks off its year-long celebration of Oscar Wilde with lesser-known 1893 work A Woman of No Importance. A starry cast, led by the incandescent Eve Best, makes a strong case for the play, though Dromgoole’s reclaiming of Wilde … Continue reading

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Beginning, National Theatre

It seems to be the week for notable romcom two-handers. Joining Simon Stephens’ Heisenberg and David Ireland’s The End of Hope is David Eldridge’s meditation on the loneliness and halting longing of modern relationships. Read my full BroadwayWorld review here

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Apologia, Trafalgar Studios

Back in 2009, Alexi Kaye Campbell followed up his bold first play The Pride with Apologia, which takes the well-trodden path of a fraught family reunion where past grievances stalk the present. If more conventional, it’s still an enjoyable combination of big ideas, sharp … Continue reading

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Mosquitoes, National Theatre

In the immediate, heartbroken aftermath of the EU Referendum, I had some very uncharitable thoughts about the right to vote. Perhaps it should involve some kind of IQ test, or at least a demonstrable ability to tell the difference between … Continue reading

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BWW Interview: Freema Agyeman

The actress talks Doctor Who, Sense8 and making her West End debut in Apologia. Read my full BroadwayWorld interview here

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BWW Interview: Jeremy Irvine

The actor talks working with Ed Harris on Sam Shepard’s Buried Child at Trafalgar Studios. Read my full BroadwayWorld interview here

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A Pacifist’s Guide to the War on Cancer, National Theatre

How do you make a musical about cancer? This latest work from Bryony Kimmings isn’t just theatre, but metatheatre. Her voiceovers and the emails published in the programme detail the at times highly personal development process, and a gut punch … Continue reading

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Things I Know To Be True, Lyric Hammersmith

Growing up is a kind of grief: losing the person you once were to embrace the person you will become. That loss can fracture familial relationships, forced to adjust and reform as offspring alter, challenge, question and move away – … Continue reading

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Torn, Royal Court Theatre

Family is the ideal, the necessity, the burden and the war zone of Nathaniel Martello-White’s intricate new play, alternately elusive and confrontational. It’s group therapy – Ultz provides the community hall plastic chairs and tea table – with no safeguards, … Continue reading

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