Chicago‘s hit West End revival - which featured a constant revolving door of big names – closed in 2012 after almost 15 years. Now, it returns with the requisite stunt casting (Cuba Gooding Jr), but also with a cast of … Continue reading
From a buzzy new musical to returning favourites. Read my full BroadwayWorld article here
It’s a bigly Trump-fest over at the Donmar, with adaptor Bruce Norris determined to make Brecht great again – or at least pointedly contemporary. Despite a legal disclaimer in the knowing prologue, the current tangerine regime looms large, replacing (or … Continue reading
The actress discusses taking on the iconic role of Roxie Hart in the UK tour of Chicago. Read my full BroadwayWorld interview here
Never question the commitment of boyband voters. A final that zigzagged between possible winners (well, apart from Katie) ended up feeling somewhat redundant as Jay’s fans carried him over the finishing line regardless of his distinctly underwhelming performance. Aliona’s dubious … Continue reading
We need to talk about music. Strictly precariously straddles the worlds of ballroom and entertainment, so it can’t – and shouldn’t – be wall-to-wall Victor Silvester, but we’ve reached a crisis point. Song and theme choices (as I understand it, … Continue reading
The latest transatlantic transfer is curiously esoteric, concerning as it does an obscure period in the lives of two great men: Laurence Olivier and Orson Welles. The centenary of the latter’s birth makes this an apt moment for the European … Continue reading
From Singin’ in the Rain and Anything Goes to Hello, Dolly! and Mary Poppins, Olivier Award winner Stephen Mear has done more than any other British choreographer to usher classic musicals into the modern era. But adept as he is … Continue reading
