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News as showbiz, entire networks and even a reality TV President fuelled by articulating popular rage, and gradual corporate dehumanisation: we are now living Paddy Chayefsky’s satirical dystopia. Lee Hall’s astute adaptation recognises that the 1976 movie needs little updating … Continue reading
From a new British musical to starry Mamet and cheeky burlesque. Read my full BroadwayWorld article here