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The audience plays surveillance state in this pioneering collaboration between playwright Ella Hickson and sound designers Ben and Max Ringham. We experience the action through individual sets of headphones, corresponding to a hidden mic on our protagonist Anna – listening … Continue reading
As the series draws to a close, we list its mostly unintentional hilarity, from the entail and the Turkish corpse to the death-by-political-correctness of Isis the dog. Read the full theartsdesk article here