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The actor discusses his role in landmark play The Inheritance. Read my full BroadwayWorld interview here Advertisements
Tony Kushner’s landmark two-part play begins at a funeral, with a rabbi solemnly naming a woman’s surviving relatives; partway through the interminable list of grandchildren, he stops and sighs. It’s a witty opener for a piece that’s epic in every … Continue reading
“What’s a night between friends?” That’s the question posed by this incisive study of desire and deception when it transpires the eponymous Reg – personifying Dionysian chaos and carnal abandon – has captured any number of hearts and loins. Reg … Continue reading
The pivotal early 1930s period in which Herr Hitler overcame strong if fractured left-wing opposition should make for meaty drama, but the sluggish polemic currently occupying Southwark Playhouse will leave carnivorous viewers unsatiated. American playwright Tony Kusher is rightly celebrated … Continue reading
It seems almost unnecessary to criticise Tony Kushner’s insufferable polemic when he does so regularly within the text of A Bright Room Called Day. Characters rebuke one another for their “bad romantic posturing”, “elegant despair” and “carefully constructed but immobile” … Continue reading