Cats is, declares composer Andrew Lloyd Webber, a show that doesn’t really have a story, but was beloved on stage because it’s “the ultimate theatrical experience”. That’s the point which Tom Hooper’s grotesque, nightmarish movie adaptation so profoundly missed, with its computer-generated monstrosities and ham-fisted attempts at miring this fanciful material in leaden reality – albeit one in which relative size warps every second, and Judi Dench wears the carcass of another cat.
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